Biography, DJ Culture & Music, House Music, Movers & Shakers, Music, promoters

Ralf Gum-GO GO Music-International-House Music Series-Creative Connection

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When I meet artists with an extensive and accomplished body of work….I’m not sure where to start and what to ask….I’d love to ask about IT all. He’s released a slew of hits year after year over the last 6-7 years. He’s one of many really good German Soulful/Deep House talents with a production career spanning many decades! In the 90s he played at Studio Lounge (Wuertzberg, Germany) and Club Airport in his own town. On his first visit to NYC in 1991 he said ‘it was then that I decided that House Music was IT…..He became more focused on it after hearing people like Louie Vega and Ron Trent playing pure House all in one night- ‘I remembered how I had been so used to playing all genres at home and it blew him away.’

In 2001 he started label GOGO Music and used it as a platform to keep his style of music consistent and real. With such exceptional production he brings absolute harmony, soul and groove to the music! UK Blues & Soul Magazine says about DJ Ralf Gum: ‘He emphatically demonstrated his ability to orchestrate Soul House goodness on the grandest possible scale’ (And he does this well!) His productions have become more lush and full-bodied over the years. They’re deeper. I can identify a RALF GUM production anywhere!

In 2008 Gum released a very impressive debut project titles ‘Uniting Music’. It was unique in that it was one continuous connected piece of music-like a mix CD but seamless. With this production he pushed traditional DJ mixing boundaries. I wondered if he created a piece like this for creativity’s sake or for the sake of being able to mix for a long period of time-I realized he enjoyed both. We talked extensively about his connection to creativity…..

When he first arrived to Pretoria he really missed playing long sets and wanted to create a journey where he could play some obscure music and because there was more time, he could be left to create what he callsed an up and down of moods. That was one of his many main goals when looking for the right venue. The night would be split into two sets and everybody played 4 hour sets. With a open venue, it was easier to showcase more sounds. It’s not possible to pack all that into 1 hour sets. ‘It’s a lot of fun, I love this style especially when the venue has an amazing sound system. It’s just one of the ventures I ventured in when I first arrived here.’ (That was for him.) For the House Head, he says ‘it’s incredible-the real House Heads will hear old,new,known and unknown and this is just to keep House culture alive.’

Ralf visited South Africa for the first time in 2008 and during many of those visits he conducted DJ workshops. Those trips then became every two-three months. On his later visits he brought his wife. He loved that national SA radio plays sounded like a bunch of well crafted mix-tapes on air and at the time it was Osunlade’s latest playing on a taxi radio-like top 40 plays everywhere else. All media outlets promote and cover all aspects of House music unlike Germany where he comes from-national or local broadcasters would hardly play Deep House and National TV didn’t report about House either. It was never treated like other popular genres like Hip Hop for example-this is one of the reasons why he chose to change locales……

You’re not the first producer/DJ to talk about South Africa’s support of good House Music. South Africa REALLY supports the artists and now you’ve moved there-how’s it been? 

‘It opened up the possibility for a different way of life for me to be honest. I used to travel a lot for gigs and like many other DJs do today  for example I’d play in Europe one day and then tomorrow be in Asia or whatever.’ He emphasized that South Africa changed his life in many ways because the need to travel far was no longer necessary. He realized that over time he found much better gigs because this country has the highest consuming House Music fans in the world. He boldly sums it up that ‘wherever you go-you find educated crowds who are really into the sound which makes it a pleasure for a DJ like me to play for them.’ (I just love that he calls real House Music fans educated crowds! )

His move South reduced his time on the road and he could still play the same amount of gigs or more. He honestly says, ‘I obtain income and I can still do my music and most importantly I’m being appreciated as a white person of all places like South Africa…….. considering the history with apartheid….. which only ended 23 years ago…’ I paused for a second before continuing our conversation to let that sink in-that he even considered if he would or would not be embraced in a country with such a tense political history and that he would even speak about this as an artist. This was another topic that further broke the ice in our conversation. He matter-of-factly stated,”My race has a lot of implications… because people still don’t really trust the white man here……and this is very understandable and truthfully my luck is the music. Music is my connection with the people and through the music I’m very much accepted here…..with confidence.’

In 2012 Ralf emigrated to SA with his wife and kids. And dropped hit after hit, remix after remix with : All This Love For You, Complicated, Fly Free, Little W.12th St., Free Is All I Wanna Be, Take Me To My Love, The Pap and SO many more!

What was it like throwing your first conference/event at WMC (2006)? Did any opportunities come out of there? How were you received by fans? What was your expectation?

RALF: Tons of preparation, organization and very exciting to have an event in a space where you are not located. Many factors depend on the outcome of the event than if you were in your home town. I’d been to Winter Music Conference a few times before I organized the event with the label. So I didn’t completely tap into something I didn’t know. I’d been there for some years. It’s a challenge. It was a vehicle to promote the label. Over the years I’ve held 3 or 4 events with partners at different locations. We had great parties we had an impressive line up. So yes, I loved doing it. I stopped doing them because I felt that Miami didn’t have the relevance anymore which it used to have for me. In addition-it’s far away for Europeans. Its easy to reach for Americans but the costs involved in doing an event there just didn’t justify the fun and promotion. I eventually stopped doing them. It’s a great occasion to make contacts.To meet people. It’s especially great if you are new in the industry. Its important in case you’re starting a label and wanna get its name out there but it lost relevance for myself because I felt I had the contacts already. The only reason to continue is to take advantage of a nice and warm holiday!

 

 

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What are you working on today? This year? Who would you like to work with? Multi-genre?

I loved every collaboration to be honest. Most people I worked with again usually because it’s a mutual pleasure. What sticks out though is working with Monique Bingham. We go back a long time and everything we do REALLY has an impact so I feel we are a special match when we work together. Maybe Monique Bingham sticks out the most but I always find it a bit unfair because working with other artists who have a musical mindset and who love working with and creating music like I do……are very important.  I usually have a good feeling to pick who I should work with before I start working on a project. Sometimes even understanding why they are in the industry helps a project along…..if creation is the actual reason…it (the idea) usually works out perfectly with me… and to put out quality work is the spirit of creation.

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You’ve been to Toronto? You mentioned at the beginning that you’ve been to Toronto once? Yes. In the Winter. It might have been 2009. Or 2010. I had a great, great night. He wasn’t sure what to expect. He was told (by the promoter) that Hip Hop was to be played and later on that night move on to House. He said ‘I was like oh shhhhh…..it could’ve be one of the nights that the crowd would maybe expect something a little bit more commercial. It wasn’t at all what I expected. It was an amazing party! I can’t wait to come back at some point……’ (That’s Toronto!)

Sir LSG

Currently (June 2017) he is finishing up Sir LSG’s project (Circles-cop that album it’s gorgeous!) and his own album. (We talked a few months ago!)  Sir LSG’s album dropped yesterday! This past July/August he was helping with some mixing. He was inundated with requests to mentor and assist so many artists when he first arrived to South Africa and couldn’t help everyone. He’s helped break artists like Raw Artistic Soul and Black Coffee. He’s decided to focus on one artist at a time to be more effective and also give the artist a strong platform to steady their own career. Ralf will be refocusing efforts on his own projects soon and we should expect an album from him next year!

Here’s a Carl Cox quote: Your favourite artist was once a local artist, don’t wait until they blow up to start supporting. How do you feel about what he said?

He answered me with a German quote: ‘The Prophet Doesn’t Count In His Home’ but not being understood is a great school of learning…….Unfortunately we live in times where a lot of things are based on media hype and if you’re able to travel continents with your music and so forth, you suddenly become interesting to media that might not have cared about you for a long time. Actually you might have been doing the same thing in front of them all this time.

The reason being I can’t explain. I feel like I said its wrong but I wouldn’t know how to change it. I strongly believe you have to make it to a certain point in your hometown or country before you should start venturing out to other territories and as well you grow your skills while working with smaller audiences. For me it was a great school to fight against the prejudice that Deep House received. People at home thought it (Deep House) wasn’t hard enough and people can’t party with it enough. It made me better at reading crowds and work them rhythmically and get away with playing music that certain crowds wouldn’t necessarily listen to. It took me awhile until I was able to start travelling with my music. A good DJ is a good DJ and a good artist is a good artist no matter where he comes from. Look at the artist for his craft and not where it has taken him. And of course the city pays attention to it because it makes money…..

Next to the passion which is the foundation for creating or doing anything related to the arts is patience- which is extremely important unless you have a super hit and become a star overnight–usually is a long way to popularity or whatever you wanna call it or just to be able to make a living with your art. If you keep having passion or patience it will work out for you. I’m pretty sure there will be a lot of obstacles financially and in other aspects or other but you can overcome them and at some point with enough talent it will work out. It’s the most fulfilling thing to really do what you want to do and yeah if you make it to the point where you can fully focus on your passions. Its the most fulfilling and best thing that can ever happen to you but I think patience is the key!

 

Super special thanks to DJ Ralf Gum!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DJ Culture & Music, Establishments, events, Manifesto, Movers & Shakers, Music, Social Media, Toronto

Manifesto 11 -Toronto-Let’s Re-CAP!

Post-Manifesto re-cap and I’m still reeling from the festival’s High Energy vibe. A weekend mash up of Oldskool meets NuSkool under many historical roofs and under the open sky. (RBC Echo Beach) It was such an exciting weekend to look forward to and what an unexpected show it was! (The weather was fabulous!)

The peaceful party vibes continued all 4 days! Shout outs to local lady DJs Dre Ngozi and Nino Brown alongside special guest Selecta Vashtie for throwing down! What I loved was the way all eras and genres connected to Hip Hop legacy with pride and knowledge. All events were spread out all over the city!! Local acts Tika Simone,The Sorority,Sean Leon,Derin Falana,Matthew Progress and Majid Jordan all represented! Truly a pleasure to watch and sing along!

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Sitting in to chat with Brooklyn’s Sweetheart Vashtie, we get to see the other side of urban culture and what it actually took for her to build her foundation from the inside/out. Che went from the mundane to the spiritual to the video light perspective. We learned a lot about how she ‘arrived’. Her story’s amazing. In a new age of the music industry, where it doesn’t take much to be notable, we often forget about what it takes to get there. Vashtie talked about Health/Wellness, the Art of Networking, her time at the record label, her travels, her childhood and her heritage. She’s a remarkable young woman. No wonder she’s sought after! Not only did Manifesters walk away with a little bashment but they walked away with some gems for self development.

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Right now as social media reigns, Che asked about her play-by-play social postings online (prior to her arrival to the T.Dot that weekend.) She talked about her reasons for relying on it so much, “I think it comes from my filmmaking, storytelling side…..I feel like if you’re watching something, you should see it all-the conversations I have with people…..from having a blog…I want to show that I’m like everyone else.I come from a generation where we just don’t share information—and so now making a connection with people with every snap (Snapchat) I feel like I’m showing what’s happening. Back then (in 1998/1999) I felt that Social Media was so strange and I’m coming from a generation where we just don’t share information….but with technology we can talk to anyone anywhere”.

With social sharing permitted at a showcase like Manifesto-all angles of the weekend were splashed all over the web and city. Yes, there were smartphone users all over the concert but the ability to capture these moments helped show the world what’s here and it’s an incredible kind of new beginning.

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If Manifesto is one of many Urban Culture fixtures that collectively brought the rest of North America to look at Urban Culture they way they did this June-I’m down. What’s most inspiring is to see the crowds of people at the live concert and parties enjoying all the incredible acts! Toronto is diverse-all ages and all faces really show what a mosaic looks like united in music and I love that.

The verdict: Toronto people love music and support local acts with force. According to Vashtie, (Che didn’t have to twist her arm or nothing) J Canadians are killin’ it with talent. Manifesto you’ve come a long way, Toronto let’s keep going!

Biography, DJ Culture & Music, Establishments, House Music, Movers & Shakers, Music, Offering Recordings

House Music Series –International- Summer 2017-Migosy-Offering Recordings – AfroHouse/Future Deep

Last summer as I sifted through some of the new tracks over at Traxsource. I stumbled on one of Amsterdam’s upcoming Afrohouse DJs. The track released at the time truly ‘quietly invaded the scene’. 

Fantasma is a gorgeous tune. He’s signed to Offering Recordings and has the deeper sound usually coming from that label. Earlier this year we talked about his plans for the future with Offering Recordings. Let’s look at his discography.

He’s dropped solid tracks for the last five years. Skyline (ITH) 2012 (Defected Records), Life Takes Time 2013 (Tribe Records),Embrace You 2014 (Z Records), Loyal People 2015 (Offering Recordings), Follow Through 2016(Global Diplomacy),Fantasma 2016(Offering Recordings) Each track has built on the release from the previous year.

Before this interview I went checking for your biography and found an awesome discography. I found maybe….one interview. Is this by design?

Thank you, and good to hear you liked the interview. It kinda depends on the questions that are being asked. I try to give as much information about myself as possible without the feeling of reading a book or something. But always pure and honest.

Get to know Migosy….Migosy is based out of the Netherlands which lends a very unique sound to the Afro House style.Offering Recordings and Migosy were brought together because it was a combination of the right timing as well as his unique/rhythmic sound. Offering Recordings is always looking for something fresh and new.
Music was a strong influence from a very early age. He remembers fiddling with his Mother’s amplifier. He’d mess around with buttons and knobs. He’d turn the amplifier on/off in a rhythmic way.

He laughs ‘it would keep me busy for minutes…my mom would stop me of course because I was interrupting the music and that’s was pretty annoying for her’

As he got older at about 12; My brother (Fode) got me a PC so I could explore my musical needs a bit more. I had no idea I’d be making hits some day. He thanks his brother!!! ‘thanks bro’ It’s amazing when family can/does support your goals somehow.He grew up listening to 80’s music: Prince, Michael Jackson, Duran Duran, Ollie & Jerry, Rocksteady Crew, Earth, Wind & Fire which made a heavy impact on Migosy wanting to make music. I could easily fall in love with their music. One very important person in his life, his sister Aisata Blackman she taught him how to really sing!se taught him how to sing in a different tone and how to vocally harmonize. It’s so enjoyable. They used to sing along to 90s RnB-R Kelly,Shai,Jodeci (ain’t nuthin like 90s rnb!)Aisata is currently the lead performer/singer in Sister Act-The Musical (in Germany) I’d love to watch her perform if I (shine) get a chance!

You’re based out of Amsterdam-besides ADE what is the Underground House scene like over there? Is it anything like London or NY? I haven’t experienced the underground scene in London or NY yet but I can say Amsterdam is poppin’. There is so much raw talent here. That’s why myself and my good friend Deep Rooted Soul started our concept Cuisine @ Club NL, Sifa Siluvangi (Label Manager,Offering Recordings/DEPTH Music) recently played that other night was fire!!! It’s a concept where we book DJ’s who have their own sound and are not afraid to try something outside the box. Currently we’ve moved to a new spot in Amsterdam which we’ll reveal soon!

During ADE we work with many international names & labels in the scene such as my big bro N’Dinga Gaba & Global Diplomacy, Federico Luyo & Double Cheese Recordings/House of Franky, Pascal Morais & Arrecha Records, Paris Cesvette, (Ministry of House) Todd G and many more.

5) How has the Netherlands embraced your signature musical set? (What do you like to play?) I have to be honest, it took a while for people to understand what I was playing, but it didn’t take long for my sound to really stick. We as Dutch people have so many choices so you really have to come up with something good to impress us. (kinda critical yes?) lol

6) Describe your spiritual connection to music in general? What about Dance Music?Everything in life is a vibration, with music it’s the same thing. That explains why music can trigger sadness, anger, happiness or euphoria. It triggers our emotions. Now that I’m getting older I seem to understand this more and more. Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination and charm and gaiety to life and to everything. -Plato

8) With the warm reception of ‘Fantasma’ are you working on anything new for 2017? 2018? I’m actually always working on something new so I can play exclusive music in my sets. You’ll notice on his Jan 2017 top 10 Traxsource choices. If I can surprise myself I will definitely surprise the crowd I’m playing for. I like to test my music first before I put it out. But there will definitely be some new releases coming out this year.

9) When are you visiting North America? Do you intend to visit North America? There aren’t any plans just yet but I would love to pay a visit one day!

10) Any advice for other cats in the game? For young cats starting out? We all have our own story to tell.It’s okay to be influenced by anything, but make sure you stay authentic and create your own sound.  That way you’ll stand out from everything.

Migosy on Twitter>>>https://twitter.com/migosy

Migosy on FB>>>https://www.facebook.com/Migosy/

Migosy on IG>>>www.instagram.com/migosymusic

Migosy on SoundCloud>>>www.soundcloud.com/migosy

 

 

 

 

 

 

 

 

 

 

 

DJ Culture & Music, Establishments, events, Knowledge, Manifesto, Movers & Shakers, Music, New York, promoters, Reflections, theshineprjct, Toronto

Manifesto 11 – Toronto (June 2017)

It’s with the utmost pride that I can say Toronto’s got an organization devoted to Urban Arts & Culture. Something I’ve always supported and it’s where my musical roots came from. Artists like Maestro,Kardi,Julli Black,Ghetto Concept and Dream Warriors is what I knew. I’ll always love Hip-Hop no doubt but I turned away when outlets remained bare.

I was so frustrated that I even started a talent showcase with fellow York U Undergrad (Dj Nana) we hoped to provide a platform for unsigned hype from Singers to Battle Rappers to Poets and it ran for a minute. We even tried to start an Urban Media Arts Association-but the work and support back then was bleak.

As I took stock of the many years learning about the music scene in Toronto, I started with my first internship at what was Flow 93.5 and from there I became a NXNE and Honey Jam volunteer to promoting parties and events over at CHRY college radio station. Manifesto is the evolved and growing version of what I’ve always hoped for.

An organization like @Manifesto_TO is something to be incredibly proud of. To see artists,acts and personalities rally around an incredible festival that’s put Toronto on the map (permanently) is quite amazing. With Canadian exports like the Biebs,Drake,Tory,Party Next Door,Weekend,Tika,Slakah,Majid Jordan and the list gets longer….. we’ve got so many more to put on display!

If you haven’t purchased tickets to anything; look for something and become a part of Toronto’s rich ‘Urban Culture’ landscape. Find an art installation, find a concert.Hit up the Opening/Closing Party and Artists Panel. If Urban isn’t your thing check it out, you’ll be blown away. Here’s the website: http://mnfsto.com/

This weekend the #theSHINEprjct is pretty excited to be stationed over at Echo Beach not just as a volunteer,intern or avid concert goer but a part of the festival reppin’ Toronto at Manifesto 11. Here’s to another groundbreaking decade!

Stay social:

Socials
Twitter: @Manifesto_TO
Instagram: @Manifesto_TO
Hashtag: #Manifesto11

 

Biography, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series-Local-Installment 8-Ticky Ty & Miz Megs Make an Awesome Team! (Toronto)

No matter where we are there’s always a starting point…..these ladies here revisited memory lane to talk about how they started doing what they’re doing today!

Before the official interview I spoke to Ticky Ty and for some odd reason- I discovered some interesting facts. For those of you who actually know me I’d lived in Japan for a bit and after talking for a bit I learnt that she also lived there! She worked at a local franchise club/bar Sam and Dave’s. They had many locations all across the city and country and I too worked at that same location many years ago. She had lived in Fukuoka/Osaka and I lived in Osaka. Two really happening places in the Kyushu and Kansai areas- this was an awesome surprise!

Cool facts about Miz Megs:

o She met Ticky Ty at Andy Poolhall;she booked her for an all girl DJ line-up

o She just found out about the term ‘New Jack Swing’ this year! She’s loved it long time.

Some cool facts about Ticky Ty:

o Used to listen to Happy Hardcore and Chill out. Did you?

o She started with a 2 channel Stanton Mixer and Battle Mixer Turntables

What struck my interest was the energy they had behind the decks. I wondered what it would be like to talk with them. I’d been to their shows a few times-Li’lys, CODA and Geary Lane. You see, sometimes it’s not so much what they play or how they play…it’s the passion they put into what they do. It shows. They keep the crowd going. I’d seen them spin separately and finally side by side at Love Buzz this past July! They absolutely make a great team. They took a bit of time to chat about how they got started. I’m truly inspired. I asked them what keeps the passion for music going and eventually we talked about how it all started …..

Me: What’s you earliest connection to music?

Megs: I remember being 6 years old, listening to Dance music, pushing the couch aside and watching my reflection in the TV while my parents played cards with their friends. I just loved Pop-you know, Debbie Gibson and Paula Abdul. I would turn on the Pirate Radio Sessions (Energy 108) and listen to Chris Sheppard! (I think everyone started with that.) I also danced Ballet from ages 3-16, that was very similar to Ticky Ty!

Ticky Ty: I started dance at Toronto Dance Theatre at 3 years old. All my early music connections were dance-related. ‘I went back to visit almost 24 years later and the same pianist and drummer was still there. Rhythm came naturally to me.

One thing I loved about talking with them is that they followed each others’ cues. You can see how connected they are. It’s then that I understood that these two had one of the foundational pieces that demonstrated a deep interest in music at such an early age.

Me:Which music era speaks to you the most? For me, I really Iike the 70s……

Miz Megs: 90s Euro and New Jack Swing. ‘I never knew there was a term for it until this summer’ I offered Blackstreet as the more well known groups that was known for this style in the 90s. She spent some time on Youtube listening to songs to see more groups. She never knew there was a term for it until this summer.

Ticky Ty: She says ‘Guys don’t laugh at me, but I really love the 20s. She mentioned the movie Chicago. And the truth is the 20s sound has been sampled quite a bit in Dance music. She is hilarious because she adds ‘ I probably wouldn’t do to well in that era or even be alive then. ‘I still really like Jazz and Swing.’

Me:When did you realize you were into House?

Miz Megs: Dancing at home and thinking I was in a club….’I wanted to be a GO-Go dancer’ and Ticky cheers her on and says ‘It’s not too late girl it’s not too late’ This was the interview highlight.lol

Ticky Ty: ‘For me it would be with an old friend of mine, we used to steal her older sister’s Happy Hardcore CDS and pick raspberries in the backyard and zone out.

Me:How did you both meet? Andy Pool Hall! They were both booked for an all girl Dj line up and Flipside/Andy suggested she ask Ticky for that night. Meg booked Ticky. ‘Thanks Flipside!!’

Me: Who do you wanna work with? Any production yet? ‘We’d love to work with Duro. ‘I had a song out with Jerome….We’ve worked with Flipside. Internationally they’d love to work with Chus and Ceballos and Channo.

Me: What kinda music are you both listening to right now?

Ticky Ty:‘Stuff comin out of Brazil… Groove to Light and all that dirty and hard stuff.(Okay!!!???lol) Megs-‘ Luciano is my all-time favourite but lately I have been especially inspired by Loco Dice. I love that hip hop flavor he adds to his sets.

Me:The one thing that comes to mind ladies; in the industry doing your thing spinning- Meeting people at the party, meeting people in and around the scene. What’s it like? You know, doing business?

They break it down to two trains of thought:

You get the ‘Wow, chicks that’s hot… let’s watch it OR ‘Oh mi gawd chicks;they’re probably gonna suck’…’You get a little bit of both. It’s either you don’t get the same sort of initial responses as with a guy. You’re either a chick or you’re a commodity. Or you suck. ‘You have to prove yourself past those barriers. Every. Fucking.Time. Which is fine-because every time we do it-we show what we can do…..’

Me: You ladies take what some would consider very sexy photos…..what’s up with that? They (the pics)look good by the way…

I got in shit for that a few weeks ago…..Meg said ‘someone called them out for showing side boob and abs’ they were told that on TRC….. that no one would be attending their gig because they actively/purposely used their bodies to sexually try to get a gig’. Their comment got destroyed by people defending us because they are just press PHOTOS and anyone who has actually seen us in person knows we usually wear baggy clothes and are so not like that. The guy eventually apologized. <<<interesting, yes.

Me: Wasn’t the gig already got?

Miz Megs/Ticky Ty: Yes! We didn’t make the flyer. A group discussion ensued and one of our fans supporters told the person where to go….fans are awesome that way!

Me: Where can we find you ladies?

Miz Megs/Ticky Ty:Nest, CZ (Comfort Zone) and various parties across Toronto or in cities out-of-town.

What do you both like about Dj’ing? Meg-‘The music and getting to be a part of something that has to do with the music you love….‘Just being there to dance. And creating a new sound with what you love.’

Ticky Ty:‘I love the connection I have with everybody. It’s really intense. You can almost feel the energy of this group of that people or that group of people. As long as you let go you get into a meditative thing. You can just feel it. Everyone moves as one. Not over thinking it. It’s really nice to be the catalyst of something like that. Spurring a movement, its healing for me and so many others.You can go to an underground party and a CEO of Microsoft can be dancing beside someone homeless. And it doesn’t matter. No one cares what you do in the daytime. No one asks.’ What do you do in the daytime?’ Meg says ‘I hate when people ask that’ they both agree. ‘Shut your face we’re dancing right now.’

It’s a challenge for the music/entertainment scene to really delve into current issues and/or politics but very necessary so I asked anyway:

In light of everything that has happened in the last week. (Orlando shooting) How do you feel about it as a musician/artist/House enthusiast?

Ticky Ty:I wanted to take it back to pride month because the House scene did come from the Black Gay Scene. She played the night and remarked at how special it was to spin for so many.’There are no cultural and sexual boundaries. We don’t give a shit about that stuff. We’re blessed to be part of an Underground Community that embraces everything. No cops standing around at the outdoor party. No one is being searched at the door. People are enjoying the music…..it’s such a gift….……The vibe is really connected. You can’t fake it. It’s visceral. You either don’t like it  or you totally enjoy it.And beats is their gift to us.Entertainment people don’t really like to make comments about political shit but they did! So much has happened since then…..

We’re half way through the year what’s in store for 2017? At the same time they answer: Production! That’s the next step, albums will happen once we tour and produce more!!!

Alright ladies, DO YOUR THANGS! You can find them on most social platforms! @DjTickyTy @MizMegs

Thanks so much ladies!! You both rock!

 

 

 

 

 

Biography, DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series -Typical Cat…everything bass. turntables only-LOCAL-Installment 6 (Toronto)

 

Typical Cat

It’s amazing to have a blast from the past……a lady I met about 7-8 years ago we talked about turntables and vinyl. We stayed in touch. Look at what she’s up to now…..

Who are you? DJ Typical Cat

What’s Her Story?

As far back as she could remember her Dad was a drummer. He collected records. Her aunt was a country music singer. ‘When I was younger I was listening to House Music and stuff…I’d turn on the radio and I would just feel it in my heart…stuff like Electric Circus or Much Dance…you know that kinda shit?’ When she first heard something she liked she says, ‘I felt it in my chest, I felt it in my heart…. in high school about grade 8 or 9, Freaky Flow was the first guy I heard of when it came to Jungle or Drum N Bass. In high school I heard his ‘World Domination’ album  and it got me hooked. I heard Nelly Furtado on a track with the drums and bass and I wanted to understand this type of music more. So I got into guys like Andy C, Dj Craze, Dj Hype. I’d always loved this music without knowing what it was. I wanted to know about it and I started to go to raves by myself and I just knew that I wanted to DJ and I was just there for that.

About her first gig…. Her very first event and it was bigger than she expected. This was one of  her very first BIG events at Velvet Underground. ‘I was nervous as hell but I had fun with it and opening up for Plastician was a huge deal for me because he was a DJ, I looked up to in so many ways.’ She noticed that people loved what she was doing. She mentioned that this is something that women go through. She remarked that women should be confident especially when wanting to pursue a thing like Dj’ing. Some people will like that. Focus on the positives.

About raves….I wasn’t going to party and do drugs. I would just watch what the DJ was doing- I just knew that I wanted to DJ.

What did you do the first time around? In grade 9 my mom asked me if I wanted to sign up for-those program books for summer classes. And right away I was like I’ll take that! Then in grade 11 when I had enough money, I bought tables!

How were those classes? What did you learn? ‘I took that class and actually Oscar ‘DJ Grouch’ was the first person to teach me how to use a turntable. He taught me VERY basic stuff-he taught me motions like scratching and stuff, not cuts but feeling it out with drums and using levels. He was an awesome connect because he’s pretty big in the city. Knowing him made me feel like I was on the right path. He wasn’t just some guy turned DJ. He was part of the scene, he was a great teacher. He would even give me records. I started with Hip hop and I went from that to Jungle.

 What kind of music do you like? ‘My heart’s with Drum N Bass. I love listening to the radio. I love top 40. I love funk. I love listening to things I’ve never heard. My sound right now is Bass.’ She plays unreleased dubs straight from producers-I love things that are brand new!

How’d you find your style?  It was a journey. It’s taken her a few years to know her musical taste. She plays a more Housier Bass style now but for awhile she went through a Jackin’ House style even. But really, mostly ‘I need that Heavy Bass…I think I found my sound at Plastician-it has the same BPM as House’ (Yes, it does.)

Working with Alan Lam-what’s that like? Her partnership with Alan Lam (Stranjah) didn’t just happen, It came after some time. ‘He’s got a wikked business sense and very passionate about his work. I’ve thrown parties with him and I know there’s a huge following. Regardless of that-I love this music! She is grateful for her crew because they know what they are talking about. They are pioneers of Jungle. It makes her feel confident.  When they’ve produced tracks he asks her opinion. She never questions his decisions when putting together events or tracks. She recalls her first ever event headlined party with Demuir which was a huge success.

About Vinyl and Serato ‘I really need to learn not to carry records everywhere that I spent so much money on. I went switched to Serato. It’s the next best thing. It’s like faking records. So now I just stick with Serato. It’s funny cuz I feel like I’m stuck in the past with all of this. People are all up on their shit with CDJs and all that. There are USBs wherever you go. Something about the CDJs are just not my thing….I’m a record and turntable person…it’s not the same feel. I need to feel it. People now know that if they’re booking me I won’t show up without turntables….I made it that way.’ She doesn’t care that it’s a hassle. ‘People have told me I wasn’t gonna make it anywhere because I insist on turntables. So many people say it’s not industry standard.’ She thanks and shouts out club owners who come through with turntables.

About Old Skool tunes…. Some old heads have said that they’ve heard some parts of her mixes/sets. They listen to her mixes and they say that the samples or funk records are from back in their B-Boy days…..’If I hear it and I like it and it’s usually from an older genre’.

Vocals? No vocals? ‘I like some singing but not too much of it. It must be subtle….not too overdone. It’s hard when you have a set with too many vocals. Actually, it’s just not my style. Sometimes I like vocals every 2 or 3 tunes. I usually like vocals at the beginning of my mixes because it draws attention to the crowd.’

How do you prep for a gig? ‘You overcome your nerves. Even if the bar is empty I used to get nervous but like always I’m still riding off of it. The rush you get from it is amazing. You break walls after the first gig. You reach out to people you don’t even know. People tell me they’ve downloaded my shit and bump it in their car. And I’m thinking…. I did that just for me….I’m still riding off the gig I did 2 nights ago’ lol

Your Mom and Cousin were at your last gig…..

She told her Mom to wear black to fit in. She thought it was everything that her Mom felt it would be. I talked to her about what my mother said also. It was something out of a movie. ‘I didn’t think my cousin was gonna stick around but she stayed ’til the end of the show!’ She remembers how her mom used to yell at her because all she would hear is Bass shaking the entire house and she’d tell her to stop. Shockingly she kinda yells out ‘Now she’s coming to my parties?!!!! It was very weird. I haven’t even heard her opinion yet. I’m so scared. I don’t even think she has an opinion it was just something for her to experience in the moment. It was amazing. My mom would ask me back in the day about the Bass shaking the walls. I think my mom was very proud of me.’

Cat, who do you wanna work with? She wants to work with anyone specifically with the people who throw Promise parties. She wants to bring her sound to Costa Rica. She sees herself in Europe. (Anywhere in the UK) and many of the people she works with are always touring there. We talked about the Underground and how our scene is quite different from across the pond. For example how progressive and genre flexible the musical tastes are.

Any advice to those in the creative field who want to venture into production, promotion, Dj’ing anything related to the industry/scene? (As a woman to the ladies out there what would you say?) Throughout our talk she kept referring to the old her…’. I was so concerned what others thought about the music I played-now I don’t give a shit’….You don’t always have to play for everybody else just play for yourself. The people who like it will enjoy it….!

How about people who have an original skill/sound….We talked about upcoming female producer Wondagurl she comments ‘I can guarantee you she’s doing shit she loves. I’m not big time nothing but I’m just doing it cuz I love it. I wasn’t ready for it before. I’m ready now. And all the things I’ve always wanted are coming to me. I love this music!’

Cat emphasizes….‘I can’t stress enough…you need to stop caring what other people think of you. Just do it. Reach out to whatever connection you have-because not everyone has them-and if you know even one person that’s into the same thing as you or if you know one person that you’ve looked up to, reach out to them’. She’s reached out to people from across the world on Facebook alone…. ‘It’s that easy, some are flattered and will do everything they can to help you. Take the plunge and just ask. She realizes that she’s the only person holding her back and if it’s meant to be it’ll come’.

Typical Cat spins next at Round Venue in Kensington Market, August 25th 2016

 

Thanks, Cat!

Check out her set Typical Cat – Live @ Rumpshakers Present AMIT + COMPA – July 2nd, 2016 on SoundCloud!

Vinyl Rainbow

 

 

 

 

805 Studio, CDR Toronto, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto

CDR Toronto- Local Music Series – June 16 2016-Part 2 (cdr-projects.com)

CDR (Create, Define, Release) – The night of ideas and tracks in the making at 805 Studio

CDR Cover Banner June 2016

I decided to re-cap the first CDR event of 2016. CDR thrives on genre differences and a lot of that was played a few weeks ago.  Musical differences are what CDR is all about.

The idea is for all participants to hear other sounds and maybe connect each other to the musicality of sound. CDR speaks to collaboration. The last session has seen a steady progression in participants reaching out mostly on the night of the event. Gavin mentioned that it was great to see extra layers of music people coming out of the word works.

‘We’re starting to see a bit of an organic development. There were a larger number of listeners. People are bringing in gangs of friends who are also interested in making music….It’s a discovery for everyone’

Some of the submissions are spontaneous and most were last minute. Gavin and Ramon specifically sent a shout out to Peter Delorum from Kingston, Ontario. He submitted a wikked track ‘Iliad’. He drove from Kingston, Ontario! CDR Toronto had an amazing Akai software giveaway. (Just one of the few reasons why it’s a great place to be!) The reason is to empower good production people and increase the potential to make great music!

The Dego event in April really helped CDR expand their reach! One of two mandates is to promote CDR artists at other clubs/events followed by the other to create a visual understanding of other artists’ creative process.

CDR continues to focus on supporting local Toronto/Canadian-based artists. Gavin believes that Canadians are poor at self promotion. Events like these are a great way to get your musical projects out there. Ramon shouts out DJ Gareth (Snafu 76) who is always ready and attended all 3 CDRs and as always the team is excited to see more new faces.  Special thanks to Elizabeth Da Costa for allowing CDR to run events at her community arts building! (805 Studio) It’s an amazing space which personifies CDR-be sure to check out the next event on June 16th! Have your submissions ready!