events, Food, House Music, Music, New York, promoters, Reflections, restaurants, Travel

Travel Inspiration – Return to New York City

It’s been a minute (like 3-4 years) and glad I went this summer! So much to do out there-tons of new food places/establishments to see! My return to NYC was amazing! I’m nostalgic because this is kinda the reason why the blog started. Travel provides a sense of wonder and inspiration. This is probably where my motivation comes from.

As always its essential to figure out where to stay. I’ve stayed at different hostels, homes and hotels but this time I chose to stay somewhere accessible, comfortable and a little swanky…..It’s a smaller hotel located on the Lower East of Manhattan the best things about it is mainly it’s location. The Smyth is located at a point where three stops east you’re in Brooklyn four-seven stops west you’re in Chinatown. This makes travelling around on foot, Uber or NYCT cheaper and safer. The Smyth (Thompson) is a small but stylish hotel on Broadway Ave next to subway, Whole Foods and a Barnes & Noble.

The service is amazing there! The staff is on point and the Bellman knows where to send guests for the best inexpensive/expensive food, nightlife and the nearest Duane Reade! The exchange rate wasn’t too great- for Canadians visiting make change at home. There are 2 other Thompson locations in Manhattan and this area is the best to get to BK, Bronx or Coney Island! The hotel lounge has a homey feel-looks very much like a cozy living room.

I didn’t wanna stay on the premises for long BUT decided to have breakfast at the restaurant connected to the hotel one morning.  It’s a quaint French-style Bistro looking small from outside; when you walk inside it’s filled with people ALL day. The menu is amazing and all breakfast items have a little variation to it. This restaurant is inspired by famous chef James Beard, this you’ll notice from the decor to the meal presentation. It’s good food. There’s a full service bar and patio on the premises. The whole restaurant is quite an experience.

 

Walking around the city and also with how HOT it was there; There were many stops for water, snacks and more food. Favourites include any Afro-Muslim food places. They are clean and have a crazy variety to choose from. Speaking of African food, I purchased tickets to the Afropolitan NYC Food Festival! It was held at The Brooklyn Navy Yard quite a ways deep into BK but for a fairly new culinary event to the city, it was very interesting. Foods from all over Africa made from local NY rising chefs and well-known establishments in the area were in attendance. The restaurant booth with the most line ups were the Eritrean and Ethiopian foods. There were South African wine samples, Afrobeat DJs and refreshments. It was a hot-ass day. Any refreshments they sold were a welcome relief. The food actually looked like the picture and tasted amazing.

 

*Pics taken from https://www.facebook.com/theafricanfoodfestival/ page! My camera was overloaded with photoshots! Couldn’t find my pics.I’m sure they’ll turn up somewhere 🙂

One more noteworthy food place Brooklyn Greenery-a hidden gen on Flatbush Ave. You can take the B,Q and S trains to Prospect Park Station. It’s a healthy, healthy place but what got me is the Hip-Hop Smoothie and Green Juice names. You have your choice of a small or large Supreme Clientele (Pineapple, Carrot, Green Apple), Mos Def, Queen Bee or Redman drinks. And to make your taste buds multitask you also hear your fave Dead Prez or Method Man playing for support. The place is immaculate and earthy. They run live shows in the shop and it is treated like a community meeting place. This shop has an each one teach one concept-they have a shelf filled with books where you can drop some off and pick some up. Besides it’s Hip-Hop enviro, the main reason it’s a gem is that it’s located amongst dozens of Popeyes’, Pizza joints and Golden Crusts-all of which have one too many calories to eat on a hot day! They really stand out on that block. Here’s a quote written by a Yelper about BKG: ‘The names of the smoothies and drinks are relevant and fitting for the times. The price is worth it.’ TOTALLY.Brooklyn Greenery

Now, on the holistic tip. I visited Namaste Bookshop. Wasn’t too fond of the name but the amount of people there……you’d want to walk in just to see what the hype was about. Lots of books, Crystals, incense EVERYWHERE. There were mini workshops and Tarot card readings going on. From the looks of it-it was as if everyone is looking to expand their minds at the same time. There people asking associates all kinds of questions about body ailments and meditation tips. This shop smelled amazing. It’s sensory overload when you walk in there! Lots of trinkets to see……

namasteinside

I ate so much but burned it off with walking and dancing of course! This was my favourite part of the whole trip. There’s always something to do anywhere/somewhere in Williamsburg,NY. My favourite record store (Dancetracks) is gone so I headed over to the newer ‘gentry-fied’ Halcyon in BK. The music is still the focus. One thing I love about many establishments in New York are that they double or triple as a few things. This is wonderful for business as it brings many people to one spot at any given time. Over at Halycon you can drink coffee, listen to live DJ sets, sample records you’d like to purchase, party on the rooftop or party inside! (Output) I arrived when sound check was going on before the big event-their soundsystem was ridic……..I brought back some goodies-can’t wait to spin with them!

On of the main things I do down there is shop at the black beauty supply stores for cheaper or larger sized products and summer clothes. I visited a very neat flea market. A very stylish one with handmade but fashion forward. Who needs a mall? I found plenty of that EVERYWHERE!

The highlight of the whole trip was BBE’s 10th Anniversary celebration for JDilla’s ‘The Shining’. Parties for this anniversary celebration were held all across the U.S.and I’m sure the others were just as amazing!  It was an incredibly epic night. All kinds of freestylin’, all types of horn players. Guest birthday boy/ bad-ass drummer Daru Jones (Jack White of former White Stripes) killed it!  Subrosa NYC hosts an event ‘Soul in The Horn’ on Fridays where Soul, Jazz,Hip-Hop and any other genre meet. Hosted by Dj Natasha Diggs and friends, I was blown away. The Shining was celebrating FULLY that night. Guest DJs Rich Medina & DJ Scratch attended. Have a listen to a snippet from that night at>>>>>> Soul In The Horn

There’s so much more I can share here but if you’ve been to NY, you’d know that your adventures/travel preferences would completely differ from mine! If you head to the Big Apple, I’ve mentioned some places definitely worth checking out. Come by and visit shine2u.wordpress.com every now and then to see what I’ll be listening to and where I’ll be!

-shine

 

Biography, DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series -Typical Cat…everything bass. turntables only-LOCAL-Installment 6 (Toronto)

 

Typical Cat

It’s amazing to have a blast from the past……a lady I met about 7-8 years ago we talked about turntables and vinyl. We stayed in touch. Look at what she’s up to now…..

Who are you? DJ Typical Cat

What’s Her Story?

As far back as she could remember her Dad was a drummer. He collected records. Her aunt was a country music singer. ‘When I was younger I was listening to House Music and stuff…I’d turn on the radio and I would just feel it in my heart…stuff like Electric Circus or Much Dance…you know that kinda shit?’ When she first heard something she liked she says, ‘I felt it in my chest, I felt it in my heart…. in high school about grade 8 or 9, Freaky Flow was the first guy I heard of when it came to Jungle or Drum N Bass. In high school I heard his ‘World Domination’ album  and it got me hooked. I heard Nelly Furtado on a track with the drums and bass and I wanted to understand this type of music more. So I got into guys like Andy C, Dj Craze, Dj Hype. I’d always loved this music without knowing what it was. I wanted to know about it and I started to go to raves by myself and I just knew that I wanted to DJ and I was just there for that.

About her first gig…. Her very first event and it was bigger than she expected. This was one of  her very first BIG events at Velvet Underground. ‘I was nervous as hell but I had fun with it and opening up for Plastician was a huge deal for me because he was a DJ, I looked up to in so many ways.’ She noticed that people loved what she was doing. She mentioned that this is something that women go through. She remarked that women should be confident especially when wanting to pursue a thing like Dj’ing. Some people will like that. Focus on the positives.

About raves….I wasn’t going to party and do drugs. I would just watch what the DJ was doing- I just knew that I wanted to DJ.

What did you do the first time around? In grade 9 my mom asked me if I wanted to sign up for-those program books for summer classes. And right away I was like I’ll take that! Then in grade 11 when I had enough money, I bought tables!

How were those classes? What did you learn? ‘I took that class and actually Oscar ‘DJ Grouch’ was the first person to teach me how to use a turntable. He taught me VERY basic stuff-he taught me motions like scratching and stuff, not cuts but feeling it out with drums and using levels. He was an awesome connect because he’s pretty big in the city. Knowing him made me feel like I was on the right path. He wasn’t just some guy turned DJ. He was part of the scene, he was a great teacher. He would even give me records. I started with Hip hop and I went from that to Jungle.

 What kind of music do you like? ‘My heart’s with Drum N Bass. I love listening to the radio. I love top 40. I love funk. I love listening to things I’ve never heard. My sound right now is Bass.’ She plays unreleased dubs straight from producers-I love things that are brand new!

How’d you find your style?  It was a journey. It’s taken her a few years to know her musical taste. She plays a more Housier Bass style now but for awhile she went through a Jackin’ House style even. But really, mostly ‘I need that Heavy Bass…I think I found my sound at Plastician-it has the same BPM as House’ (Yes, it does.)

Working with Alan Lam-what’s that like? Her partnership with Alan Lam (Stranjah) didn’t just happen, It came after some time. ‘He’s got a wikked business sense and very passionate about his work. I’ve thrown parties with him and I know there’s a huge following. Regardless of that-I love this music! She is grateful for her crew because they know what they are talking about. They are pioneers of Jungle. It makes her feel confident.  When they’ve produced tracks he asks her opinion. She never questions his decisions when putting together events or tracks. She recalls her first ever event headlined party with Demuir which was a huge success.

About Vinyl and Serato ‘I really need to learn not to carry records everywhere that I spent so much money on. I went switched to Serato. It’s the next best thing. It’s like faking records. So now I just stick with Serato. It’s funny cuz I feel like I’m stuck in the past with all of this. People are all up on their shit with CDJs and all that. There are USBs wherever you go. Something about the CDJs are just not my thing….I’m a record and turntable person…it’s not the same feel. I need to feel it. People now know that if they’re booking me I won’t show up without turntables….I made it that way.’ She doesn’t care that it’s a hassle. ‘People have told me I wasn’t gonna make it anywhere because I insist on turntables. So many people say it’s not industry standard.’ She thanks and shouts out club owners who come through with turntables.

About Old Skool tunes…. Some old heads have said that they’ve heard some parts of her mixes/sets. They listen to her mixes and they say that the samples or funk records are from back in their B-Boy days…..’If I hear it and I like it and it’s usually from an older genre’.

Vocals? No vocals? ‘I like some singing but not too much of it. It must be subtle….not too overdone. It’s hard when you have a set with too many vocals. Actually, it’s just not my style. Sometimes I like vocals every 2 or 3 tunes. I usually like vocals at the beginning of my mixes because it draws attention to the crowd.’

How do you prep for a gig? ‘You overcome your nerves. Even if the bar is empty I used to get nervous but like always I’m still riding off of it. The rush you get from it is amazing. You break walls after the first gig. You reach out to people you don’t even know. People tell me they’ve downloaded my shit and bump it in their car. And I’m thinking…. I did that just for me….I’m still riding off the gig I did 2 nights ago’ lol

Your Mom and Cousin were at your last gig…..

She told her Mom to wear black to fit in. She thought it was everything that her Mom felt it would be. I talked to her about what my mother said also. It was something out of a movie. ‘I didn’t think my cousin was gonna stick around but she stayed ’til the end of the show!’ She remembers how her mom used to yell at her because all she would hear is Bass shaking the entire house and she’d tell her to stop. Shockingly she kinda yells out ‘Now she’s coming to my parties?!!!! It was very weird. I haven’t even heard her opinion yet. I’m so scared. I don’t even think she has an opinion it was just something for her to experience in the moment. It was amazing. My mom would ask me back in the day about the Bass shaking the walls. I think my mom was very proud of me.’

Cat, who do you wanna work with? She wants to work with anyone specifically with the people who throw Promise parties. She wants to bring her sound to Costa Rica. She sees herself in Europe. (Anywhere in the UK) and many of the people she works with are always touring there. We talked about the Underground and how our scene is quite different from across the pond. For example how progressive and genre flexible the musical tastes are.

Any advice to those in the creative field who want to venture into production, promotion, Dj’ing anything related to the industry/scene? (As a woman to the ladies out there what would you say?) Throughout our talk she kept referring to the old her…’. I was so concerned what others thought about the music I played-now I don’t give a shit’….You don’t always have to play for everybody else just play for yourself. The people who like it will enjoy it….!

How about people who have an original skill/sound….We talked about upcoming female producer Wondagurl she comments ‘I can guarantee you she’s doing shit she loves. I’m not big time nothing but I’m just doing it cuz I love it. I wasn’t ready for it before. I’m ready now. And all the things I’ve always wanted are coming to me. I love this music!’

Cat emphasizes….‘I can’t stress enough…you need to stop caring what other people think of you. Just do it. Reach out to whatever connection you have-because not everyone has them-and if you know even one person that’s into the same thing as you or if you know one person that you’ve looked up to, reach out to them’. She’s reached out to people from across the world on Facebook alone…. ‘It’s that easy, some are flattered and will do everything they can to help you. Take the plunge and just ask. She realizes that she’s the only person holding her back and if it’s meant to be it’ll come’.

Typical Cat spins next at Round Venue in Kensington Market, August 25th 2016

 

Thanks, Cat!

Check out her set Typical Cat – Live @ Rumpshakers Present AMIT + COMPA – July 2nd, 2016 on SoundCloud!

Vinyl Rainbow

 

 

 

 

805 Studio, CDR Toronto, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto

CDR Toronto- Local Music Series – June 16 2016-Part 2 (cdr-projects.com)

CDR (Create, Define, Release) – The night of ideas and tracks in the making at 805 Studio

CDR Cover Banner June 2016

I decided to re-cap the first CDR event of 2016. CDR thrives on genre differences and a lot of that was played a few weeks ago.  Musical differences are what CDR is all about.

The idea is for all participants to hear other sounds and maybe connect each other to the musicality of sound. CDR speaks to collaboration. The last session has seen a steady progression in participants reaching out mostly on the night of the event. Gavin mentioned that it was great to see extra layers of music people coming out of the word works.

‘We’re starting to see a bit of an organic development. There were a larger number of listeners. People are bringing in gangs of friends who are also interested in making music….It’s a discovery for everyone’

Some of the submissions are spontaneous and most were last minute. Gavin and Ramon specifically sent a shout out to Peter Delorum from Kingston, Ontario. He submitted a wikked track ‘Iliad’. He drove from Kingston, Ontario! CDR Toronto had an amazing Akai software giveaway. (Just one of the few reasons why it’s a great place to be!) The reason is to empower good production people and increase the potential to make great music!

The Dego event in April really helped CDR expand their reach! One of two mandates is to promote CDR artists at other clubs/events followed by the other to create a visual understanding of other artists’ creative process.

CDR continues to focus on supporting local Toronto/Canadian-based artists. Gavin believes that Canadians are poor at self promotion. Events like these are a great way to get your musical projects out there. Ramon shouts out DJ Gareth (Snafu 76) who is always ready and attended all 3 CDRs and as always the team is excited to see more new faces.  Special thanks to Elizabeth Da Costa for allowing CDR to run events at her community arts building! (805 Studio) It’s an amazing space which personifies CDR-be sure to check out the next event on June 16th! Have your submissions ready!

 

Album Reviews, Biography, DJ Culture & Music, House Music, Movers & Shakers, promoters, Toronto

House Music Series –International- Marie Joly – Offering Recordings – Gratitude’s Debut

 

Marie Joly had a lot to share about life lessons, humanity and love. Offering Recordings first lady’s music is described as ‘strongly perfumed with spiritual and conscious messages’ What grabbed me was the album title…I have much to be grateful for. GRATITUDE. Simply titled.

Boddhi Satva declared Marie Joly as ‘one to watch’ 3 years ago during our interview. She was still in production mode when he first visited Toronto and I listened to minor releases until I saw a quick blurb online a few weeks ago that her album debuted on Traxsource at #16! What an entrance! She’s not a stranger to the underground scene though…..this is just one of many projects she’s been working on…we Skyped- me in Canada and she in France! Awesome convo….

Me: Marie-Joly thanks so much for this interview, I can’t believe you’ve finally released some beautiful material after a few years under the radar. Congratulations on your success. Your single and titled album ‘Gratitude’ debuted at #16 on the Traxsource ‘House’ charts.

Me: How would you describe your music?

She: I would describe my music as harmonic, it goes deep, it could be House….if people dance to it maybe……its hard to classify the genre. It’s healing music. I know I want to move people, emotionally and spiritually, like Boddhi!

She: I would call it ‘Spirited House-it’s a more natural sound’ She says ‘I try to be harmonic and soothe people, if I can make people dance that’s ideal’ I’m so proud of this album because even though they are unknown or locally known from (France/Scotland) they are flexible yet experienced artists. “I call it New Age; Funky”

Me: Why music? Tell us a little about yourself? How did you get into making music?

She: My favourite part…I played music from a young age. I was a classically trained musician, I studied ballet, I read music, I played the piano.

Instead of rigid music study she spent time studying improvisation (thinking outside the box). She had to practice Chopin but jazzed it up during practice. Her teacher wanted her to learn the Classics but she continued her musical studies in Jazz.

Me: You’re a multi-talented person…. How long did it take to finalize this specific project?

She: From the time Boddhi suggested I get working on an album to when I handed the album in, it was about 3 years…. so naturally some stuff on the album is older. This album is a good synthesis of my production history. Some old and some new. I needed to create pieces that completed a story.

Me: What does/how do you roll-out your creative process?

She: ‘My mind is always creating, I walk in nature, I hear melodies. I’m walking in the street (I hear melodies, I have lots of inspirations.) I can hear what’s happening in my head, I even hear sounds with silence. You can process sounds and sort them out, it’s kinda like musical meditation’.

Me: What comes first, writing or studio time? Are you a House producer?

She: I produce first, I lay down backing vocals first-it’s a transformative process. It’s spontaneous and in the moment. I go back to adjust and press record. It’s like I’m telling a story. I write about how I feel when I’m looking at me. I’m not disassociating my personality but I look at it. (Be sure to have a listen to ‘Lovin’ You’.) It’s one of those examples. I’m grateful for simple things in life, nature, music, friends and my life. I’m an avid vinyl collector too!”

Marie Joly

Me: What’s your favorite part of the creative process? What’s your least favourite?

She: My favourite part is pulling together sound files, ideas and beats and sounds I’ve saved so many sound files so I can work fast and not waste any time while the creativity is showing up….My least favorite is bittersweet; working with the likes of Atjazz and Black Coffee the pressure is on to create solid output (superior sound.) So humbly she says ‘you know these guys are tenured, you learn from them, it’s humbling-they show you production tricks and knowledge and you’re completely blown away….When I think too much in the studio I lose the thought and vibe so I like to be spontaneous. With that spontaneity you find that some producers are highly spiritual and they are definitely running on a very ‘Deep’ vibration when they make and play music.’

Me: So are you are a producer? (I hate job titles and labels but I had to ask.)

She: I don’t take myself purely as a songwriter or producer. I speak from emotion-I write about emotion. I improvise like Oggun. (Known for his protective nature and his ability to spark ingenuity.)I layer tracks and sounds. It could be spontaneous or it could be here and now.

Me: For this album, did you work on any tracks with Boddhi?

She: NO (he’s 100 supportive from the sidelines) I’ve got a few very close friends that call often to see how I’m doing and they are always checking in to see how smooth the production process is going.  But how I met Boddhi was ‘synchronicity’. She ties this in because it really was a chance meeting.

I was making music but I didn’t know I could get into distribution. I  ran into a producer for NHS Scotland and was commissioned to make a soundtrack for a documentary on Lenox Castle-a hospital. The filmmaker was asked me to do this for NHS National Health Scotland. (Sounds familiar with Jellybean’s story huh?) I worked on it and eventually handed in a tape.’ It’s then that she realized music (her music) was a business!  Fast forward to Winter Music Conference WMC 2007 she did plenty of promo in Miami right around the time he (Boddhi) released his first single on the Soul Heaven compilation. He encouraged her to work on something……this produced ‘Lovin U.’ (Oh la la…qu’est ce qui ce pass?) Boddhi played it EVERYWHERE-it was re-released and remixed by Louie Vega and it did VERY WELL! Boddhi recommended she work on an EP and album. Voila, here’s the album!

During her formative musical years she moved to Scotland and resided there for some time-and it is in Scotland she says she ‘listened to music differently.’ She discovered their ‘Underground’ and slowly built her recording studio and also where she discovered turntables!

Me: Who would you like to mention from the Scottish House Underground or off the beaten path?

She: Aqua Bassino, Vashti Bunyan (brilliant folk singer/songwriter), Craig Smith & The Revenge (check ’em out.)

Me: Who are your musical influences? Who inspires you musically? ‘Nick Holder I respect his musical craft.’ A lot of the times though she says, ‘It’s not just the music that makes me enjoy their music-it’s more than that’ Her favourites, [Boddhi] with the ancestral movement/sound. She really likes J Dilla’s production he helps explore her approach to music production. Other favourites: 4 Hero, Bilal, Vikter Duplaix. She lists so many more….

Me: Who would you love to work with?

She: Osunlade, Moodyman are on my list.

Me: What next for Marie Joly and Offering Recordings?
Marie Joly: Album #2 is 50% done but you never know…there are no collaborations. I’ll work on it myself but if something presents itself I could end up working with anyone.

Her parting words…..Marie Joly <<<(she’s on Twitter) believes that ‘Even though we all try to live with our art, we all have the power and capacity to not only focus on the business side of music. ‘It feels empty that way.’  She promises that this album has more artists with more experience and you do feel it [the ethereal sounds] on Gratitude. You can purchase the album on iTunes.

Marie Joly Just Be

Biography, DJ Culture & Music, House Music, Movers & Shakers, Music, promoters, Toronto

House Music Series – Lars Behrenroth – Deeper Shades of House – International- Don’t Let Your Friends Listen to Bad Music

 

DontLet_BlueFull

Don’t Let Your Friends Listen to Bad Music (Quite explanatory, but still explained)

‘I pick music that I want others to hear. I consider the people that tune in like friends. I want to supply them with what I call good music . The connotation can offend people but if its good it doesn’t matter the time, place or format its in. I have a hard time keeping myself to one sound so I like to share it with friends.’

I was pretty stoked to interview THEE Lars Behrenroth (the don’t-let-your-friends-listen-to-bad-music DJ,the hardest working DJ in show business) You know the Lars I’m talking about!! We open Skype screens both seated with shelves full of vinyl but his collection continues and continues on. My almost empty shelf of vinyl starts and ends with the span of the camera shot. This shows how long he’s been in the music game.

On the day of our interview he mentioned he was editing sets from a huge festival he played  in South Africa a few days prior….As we speak he is editing material from his recent set in Africa…Check it out here! http://www.deepershades.net/dsoh-shows/deeper-shades-of-house-502-guest-mix-by-paskal-urban-absolutes.html

Some really cool facts about Lars from back in the day…

  • As a young man he first found out about slip mats on TV prior to that he was using plastic mats
  • He’d been around music for some time-In 1984 he started breaking, he remarks about a scene he saw in Flashdance…watching a Breaking sequence. He tried it out and had no idea what he was doing …but loved it.
  • The acronym TALK is a collaboration by Lars Behrenroth, Kolai & Taha from T-Kolai featuring the lyrical stylings of Mustafa Akbar and collectively they produced the single ‘Touching You’ and released it on vinyl
  • 70-75% of the buzz and publicity for this single came from South Africa.

Production/The Art of Dj’ing: Where it all began….

He’d been around music for some time. I think it’s incredible that a musical revolution/wave influenced a whole generation that set another trend for a whole other generation how cool is that? He came from a very small town of 60,000 people in Germany. This musical phenomenon changed the game for him. He was enrolled for organ lessons by his grandparents, he was signed up for a musical program at 3 or 4 years old. As a teen he had no idea how to mix. He says, ‘I would play out songs by Kraftwerk and Frankie Goes To Hollywood at the time.The kids (ages 8-13) were always too shy to dance so I’d dim the lights at the school dances to create a night club feel.’

Much later he purchased a Commodore 64 computer and created his 1st SD6 computer sounds. The finished product was nothing musical. He says, ‘It was very ambient-ish, broken kind of beats and sounds. Almost experimental. He later bought a keyboard and recorded a 4 hour VHS set. He had an AMIGA and used his first sequencer software. It was only much later that he studied audio engineering to learn exactly what to do in the studio.

Speaking of experimental….I talked to him about CDR Toronto and he felt it was a great idea. He was aware of CDR Berlin and admitted he was ‘too self-critical to put music out so quickly’ (this is kinda how it is in Toronto.) He did mention that something like CDR would be a great platform to put out remixes.(Big ups Gavin  and Koray!)

You’ve been dj’ing officially since 1986. And you moved to LA in 2004. How’s LA been for you?I enjoy living in LA, I try to spin in the area as often as possible. I started a radio segment ‘Global House Connection’ with my then roommate when I first lived in LA (first a 4 hour and years later a 2 hour show.) When I first arrived to LA I was purely motivated by the music and was playing music for the ‘Nu Jazz and Broken Beat scenes’. I noticed that the scenes were VERY separate. (Sound familiar in your city?) I used to collaborate with LA DJ Veteran Wayne Lyons, we did a night BOTANICA in 2007 and played out 4-5 times a year. The great part about being a travelling DJ is that you get to experience different scenes and vibes in various cities.

You bring a slight Euro-Tech sound to productions that are clearly very Afro…how does the fusion occur? Do you intend for tracks to come out this way?  I like to pay respect the original as much as possible. Often times remixes are completely different than the original. I like the challenge. I’ve taken the shuffle sound from Techno and used it on many tracks.I never know what I’m gonna end up with. I’m somebody that makes, music one way or another. I’ve been a fan of bringing sounds that don’t necessarily go together.

I (shine)personally enjoy guest features…I noticed you started using guest features on DSOH. (How did that come about?) Lars was one of the first and few  to broadcast music online. He always like to share the space when possible. Some of the DJs don’t get the exposure they deserve except for their 10 friends. He was trying to attract a different crowds. ‘I figured I couldn’t record 3 hrs every week-so why not share the space with others. It’s more interesting too!’

Speaking of internet radio:  ‘There are only a few internet radio stations that have a full listenership. Even with a small audience radio stations still fuel music discovery. Especially in South Africa! House music fans are getting younger and younger…Just like Rap-House Music gets kids out of shit. You see this with success stories like Black Coffee’

What is it about SA that keeps you going back? Honestly, they (South Afrikans) party like it’s the last party on Earth. It’s the only country I get the recognition, they embrace the music the way in which it is intended to be reached. The musical education is so much higher than the rest of the world. North America used to be like that. EDM is popping up here and there and you know as production people, DJs, House Heads, Musicians you know what we do in a place like SA. We gravitate there. 70-75% of the buzz and publicity for this single (Touching You) came from SA. This is why Lars contributes to the scene there. The single was re-played/re-introduced in 2010 and VERY WELL received. The original for ‘Touching You’ came out on label ‘Perfect Toy’ NU Jazz (which was big in the early 2000s) 2003 was the first release and again re-released in 2010. I thought it was new “originally released on vinyl in 2003 and licensed by DJ Mbuso for Soul Candi Sessions Two, this remix marked the beginning of Lars Behrenroth’s growing exposure in South Africa.

What is the European/German sound in 2015? What do you enjoy about it then and now? The Euro sound is very much connected to real House Music. It’s true to the feeling we connect to. (Early House music era). It’s the music that people gravitate to and are nostalgic about….Old Skool Larry Heard, emotional deepness. You know stoned. Str8 to the heart. Deep Sound. It’s not over produced. It’s raw. The feeling is modest and pure. ‘I envy the people who after a studio session say, the track is done, that’s it’

With the amount of recordings you’ve worked on or re-worked and released over a 20 year span, what is it about production you enjoy?  What’s your creative process? Every song has it’s own approach. I’ve re-visited a song after 8 years and I’ve just finished it now. Collaborations with old material sounds like new. I’m working with labels…I never know what I will receive either vocals or beats….. With remixes you have no deadline and its easier to create hits and re-visit the tracks even to see if you can enhance them.

Casamena used to always say on his radio hour that you are ‘one of the hardest working in the biz’. You’ve built a SOLID brand. What was the vision you had, years ago? Did you foresee this taking shape the way it did today? I started a label to expose people to music. It should be about the exposure of the music and artist. Tools to move music forward to a broader audience. Starting yesterday and every week will be Download Tuesdays. Fans are bound to download a fresh new track instead of going for full albums. (He loves online number and analytics, I would argue that this is why he has also seen tremendous success in other areas of his business.) He questions how someone can buy 1000s of tracks when trends are rapidly changing.

Vinyl or Digital?Everything I do, I like to get multiple use of it. A new fan base is always emerging it’s always re-introducing new ways of music consumption. If you don’t point out that a track was old, many wouldn’t know that it was. Digital is always timeless and vinyl has a shelf life.You don’t need to play hits unless you DJ for weddings <True, true Mr. Lars.

Where are you headed next?Any more trips to SA in 2016? One more time to SA. I play where I’m needed. I’m really pushing the label approach. I’m into the digital side of things. I predict for Indie labels that DJ sale downloads will disappear in 2016 i.e. Fileshare, Youtube etc. I’m looking at maybe going on tour more often and if time permits-the promotion of my DSOH parties when I visit cities worldwide.

https://www.facebook.com/larsbehrenroth

https://twitter.com/LarsLB

https://twitter.com/DeeperShades

lars

DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Toronto

House Music Series – Toronto LOCAL – Shonuff – Dj Corey Dawkins – Installment 5 – He’s Versatile and Open Minded!

Corey Dawkins

“Even myself as a DJ, I believe I’m good at it, I listen to new music constantly and try to keep an open mind”-DJ Corey Dawkins

As I sat down to type this blog post I decided to throw on some tunes to inspire my writing. I’m listening to his March 2015 Deep House Session.It’s exactly the type of music he described during this interview. Dawkins had a lot to say about the music here in Toronto. We talked about his musical tastes, his versatility and his musical strengths. I’ve never heard anyone describe themselves as a ‘musicman’ instead of a DJ. What’s a musicman?

Musicman Definition:Urban Dictionary
A person who can arrange private concerts in their homes.<<<<Sounds like a curator of great podcasts!

(Shonuff) front man Corey Dawkins has been around for many years and duly recognized by the nightclub and House circuit. His versatility has awarded him a place alongside other heavy hitters. He’s a standalone and team play kinda DJ. He can also successfully mash up a multiple genre set.If  you’re not about House you’ll be moved in a GOOD way!

He explains that Nathan, stage and sound engineer at Toronto club 3030 “visited djcoreydawkins.com and checked the song listings from one of my mixes-he took a night to listen to all my stuff”.This is what spurred Open Mind (3030 Dundas St.W). He doesn’t play the House as “dEeP” as he’d like to there BUT the whole theme for that is a musically mixed vibe. A crowd that isn’t used to one particular sound needs a DJ that’s responsible to make them move. On that night, he plays everything from Soca,Dancehall,Afro House-Remixes & More! Dancers,music lovers and music people all understand that rockin’ the dance-floor is some serious business!

Let me just say that this is my favourite part of most interviews because I get to see DJs back track to the moment they knew what it was they loved about music and start exploring!

From Calgary to T.O….Dawkins arrived to Toronto via Calgary from (Western Canada to South Central Canada!)…I asked what it was like there-growing up and venturing into music out there he says- “I’ve always been into music-I was in the church choir,I started making mix tapes in High school….I stopped Church at 18…people enjoyed the music I put together…I decided that I had what I needed to do this thing…the music scene never materialized in Calgary as much as I wanted it, so I came to Toronto”.

Before Podcasts he’d been recording mixes and in 1998 he started spinning at IV Lounge (oh shit,I used to go there lol!) and continued there for about 4 years as well as many other club residencies.

What’s Your Favourite Musical Style Corey?

The drummy stuff=South African House“Afro House with a powerful “Rootsy” production, RnB, Island,Tech,Dark Stuff. Black Coffee, Culoe De Song, Boddhi Satva, Black Motion, Djeff Afrozila, Jose Marquez, DJ Malvado, Ralf Gum and Pascal Moraes so many more listed….

Changing With The Times “I’ve gone from being a DJ/Promoter to doing it all now….I’ve got to get the word out, secure the venue…it’s not that I don’t like it, I just don’t have the same kind of time or energy that I used to have…Facebook has changed the game”.

Toronto – The House Scene“Toronto’s House music people are some serious late-comers…and a tough crowd to reach”

To Produce Or Not To Produce “I’ve dabbled into a bit of production and frankly, I can’t be locked into a studio….it takes a certain breed of person”. (Insert props to all DJ/Producer friends here.)

Advice & Humble Pie “Learn more be a sponge,stay humble…it’s a very important thing to have…listen more, talk less”.

What’s Up For Shonuff? “My dream is to travel and just do this…..I’d like to disappear for a few weeks and go to Amsterdam or South Africa..travel is the biggest thing for me..I’d like to be enriched and inspired….travelling changes you-you become a better person” <<<You know what? I think he’ll take Shonuff on the road too!

Where can we catch Dj Corey Dawkins making magic?Open Mind @3030 Dundas St.WRUUTED w/Vinny Gruvhunter,Libertine Saturday nights @1307 Dundas St. W, POWDA events w/Joonya T & Tyrone Solomon

Shonuff Doggie

DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Social Media, theshineprjct, Toronto, Travel

House Music Series – Toronto LOCAL -The Boxing Loft Social Club – Installment 4 – A Commitment to Excellence (Original article no misquotes here) :D

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is THE original article. There are many House DJs,artists,promoters all over Toronto. Be sure to check HERE. No one is above anyone else. No one is more supported than anyone else. The House Community should be a place where many people can showcase their work,make people move and most importantly show the world what we have here. (Not divisive in nature.) I would never support one movement,genre,sound,crew,mixer,club-over the other. I would never post anything that suggested that either. It’s highly unfortunate that more interviews couldn’t be successfully completed throughout the city…..oh well 👍🏾

The language used in the other versions were NOT the words spoken or recorded during the interview. Please check for misquotes and re-structured sentences and phrasing. Fact check for accurate info. I repeat there are so many people who contribute to the scene all over the city. As I started this section, my intention wasn’t to say one thing was better than another.

I’ve got many friends who visit this city and don’t know where to go if they want to hear good sounds and many are not aware that Toronto has a burgeoning House or Techno scene. We had an amazing interview, Emile. This is NOT what was said. No loss in translation. (Names of artists, hosts, promoters or venues might be preferential to the individual expressing that in the interview but if anyone has ever quoted anything sounding very odd-know that it is edited before it is posted here.)

(Emile, please don’t misquote our discussion, that’s not what was said.)* 

TBL_logo1

From a gig as paralegal to event party planner to disciplined athlete turned boxing instructor and now accomplished business man-Emile Awe Reed is one focused individual seeking excellence.

I’d been to Loft SC a few times…I wondered who was behind  its open concept. I chatted with Emile via Skype a little over a week ago and talked about it quite a bit….

How House Music has influenced his life: Music has always been a part of his life. He was in the choir at school. He attended North Western State University and was a member of their Choir. He grew up listening to Nana Maskari, Harry Belafonte among very many unique artists. He grew up listening to Classic Rock and loved bands like The Who and Led Zeppelin. He still hadn’t embraced House by then yet but by the 80s and 90s  (the most influential era in my House Music opinion) and really got into Reggae.

He notes that it was not until one of the longest running Toronto parties (Twilight Zone) that created the connection. He started attending events in (2004).
During a difficult time in his life he truly embraced House. He eventually met DJ Gene King who always mentioned the importance of an ‘open mind’.They are now business partners! Look out for UDM (Underground Dance Music) parties they throw twice a year!

House Music IS Just So Cool: He opened The Boxing Loft Social Club. House music’s sole purpose at the Boxing Club serves as a pace-setter for boxing technique (shadowboxing) and foot technique. ‘Boxing still uses rhythm just like dance….. Reed tells me with conviction,’most of the House I hear, I love…if you want to be a good boxer, you’ve got to be good at everything-a complete fighter…this is why I fight to music’.

Unlike many…..I had no idea ‘The Boxing Loft’ was an actual boxing gym! As a brand marketing pro-star I thought it was a well-crafted brand image that simply brought people together-along with a prop stage boxing ring (silly me)! With ‘Inspired Gatherings’ happening frequently, ‘Social Club’ is exactly what it is. There are arts focused events, boxing instruction and dance party events all happening within those four walls! The social component never ends!

Reed started running events at 199 Queen St. E in 2004 and ran into snags with liquor permits for locations and capacity violations. It made sense to find a permanent home for events and voilà: The Boxing Loft was born! Growing up he watched Fred Astaire and Ginger Rogers and learnt that during their time social clubs were VERY popular. People with similar interests gathered to socialize and grow their memberships. This is what the future will look like at the Boxing Loft!

The Way Emile Sees It: Reed has a way he does business with co-organizers in the scene. ‘I’m always gonna be upfront and real with people…I’m a new cat, I’m still learning….I like to work with anyone who is willing to learn, you need others in order to attain wealth….With more people there’s power…I’m a business person first….You have to be respectful…It’s not just about me’. <<<shine’s thing too!

Misquoted elsewhere. Working With the Local Toronto House Behind-the-scenes promo people: If it wasn’t for my team, I wouldn’t be here without hosts and promoters. (if I didn’t mention you, I apologize) I removed the names because it seemed to cause issue. You are the ones that enable my name to get out there. I appreciate that they have helped me brand The Boxing Loft. Even though I’m the boss-I don’t stand alone…..I’d be nowhere if the DJs didnt play in my space.

shine’s words added here>>>SO MANY AMAZING KEY PLAYERS THAT MAKE UP THE CITY’s scene-I WISH IT WAS AN EVEN BIGGER SCENE with a unified platform to bring more people from overseas to (Toronto). Absolutely no shade. 

DJs as Artists:How Does That Work? (Misquoted section)<<<click here

DJs should be validated as artists. I have an idea of how DJs should play. This is how/why I choose who plays at The Boxing Loft. DJs like Yogi,Stan Zeff, Zepherin Saint,Ian Friday, Josh Milan, Joe Rizla. DJs of THAT calibre-this is how I choose. I try to keep the DJ guest choices at a certain level…..you know that standard…..As an athlete I strive to be the best, same as the DJs. I have to make sure I shine so the DJ shines and the underground’ll shine. I want The Boxing Loft to act like an advocate for House Music. <<<<<<<(there are many groups, that are very good, that sound good and have large, medium or small followings all over Toronto-it doesn’t make anyone better or worse.)

What to expect at The Boxing Loft:

No drugs allowed inside (it’s a sports venue and creative space too!)

Make sure as you enter TBL you can somehow relate to what you’re taking in (art/music/sport)

Come in with an open mind

You will always be treated well

It’s a place with an incredible vibe

You too can box or dance at The Boxing Loft Social Club….For events visit Twitter @TheBoxingLoftSC  or their website http://theboxingloft.com/

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is the original article. There are many House DJs,artists,promoters all over Toronto. Be sure to fact check HERE. No one is above anyone else.All key players as a WHOLE contribute in many ways. People visiting Toronto internationally should be able to visit many venues to party safely during their stay here. Please check for misquotes. Fact check for real info. All media outlets are used as informative vehicles for change and to build legacy. The section of this blog was intended to bring all types of people to Toronto to embrace all genres of House. This article was not intended to be divisive in nature. I enjoy House music. And this section is all about it.Don’t take offense until you know what you’re reading is TRUE. Don’t misquote or force something that wasn’t said. (Updated in 2018-had no idea this was altered elsewhere!)

-shine