DJ Culture & Music, events, House Music, Movers & Shakers, promoters, Public Relations, Reflections, Social Media, theshineprjct, Toronto, Travel, women & entrepreneurship

theshineprjct (this blog) and Drumsradio UK presents-RALF GUM-Progressions – Part Deux with Sir LSG,Dave Rankin (Toronto)

I had to pull out an excerpt from our Skype interview almost 3 years ago! So I asked,’You mentioned at the beginning that you’ve been to Toronto once?’ Which he replied ‘Yes. In the Winter. It might have been 2009. Or 2010. I had a great, great night. It wasn’t at all what I expected. It was an amazing party! I can’t wait to come back’

Interviewed a few years ago at Toronto music lifestyle blog theshineprjct.com at the cusp of his last album release he talked about his first visit to Toronto and how unique he thought our scene was….he returns next month with theshineprjct.com and Drumsradio UK bringing you local and international selectas together…..can’t be missed!Please read it>>>>> https://bit.ly/2Tpd3fz

It’s 2019….and folks,HE’S BACK! I’d like to add that I’ve had a list of people I wanted to interview for years. He’s one of the DJ/Producers that I didn’t expect to return my requests and he did! It was a thought provoking interview and he’s made some banging hits! It’s Ralf GUM feat. Monique Bingham – Take Me To My Love (Ralf GUM Main Mix) – GOGO 053 – that lead me to speak to him.

With a solid Discography spanning more than a decade he gifts House with new,new album Progressions. He wraps instrumentals around vocals, he handcrafts each note to match the human voice (you definitely hear this with Monique Bingham’s tracks!)

theshinprjct.com & Drumsradio UK brings you RALF GUM Progressions with guests SIR LSG and Dave Rankin (Toronto)

German DJ/Producer and Label head Ralf Gum of GO GO Music re-visits #toronto with a long-planned intimate night of Deep and Soulful House. After 10 years he returns and brings forth his latest album Progressions (2019).

DJ/Producer SIR LSG joins Ralf (Luka ft. Jaidene Veda – Overstanding – Remixed with Anthony Nicholson – 2013) and (Gratitude feat. Melanie Scholtz – 2017) on first Traxsource charted album ‘Moving Circles’.

This year’s Canada Music Week selected country focus was South Africa- just because #CMW2019 is over doesn’t mean the electronic rhythms by way of SA aren’t…..theshineprjct.com held a ‘Tribal to AfroTech’ panel with guests Nick Holder and Ralf Gum this past May; to shed a little light on the Canadian and South African #djculture collaboration. Part Deux will be exciting!

These blog-to-live events are the first 2 of a series of #inspiredevents created by Owner/Creator Shanay Egwuenu with her PR/Digital Marketing agency urbcomgrp.com.

With a few years under her belt as a Digital and PR Marketer- I continue to mix my love of blogging,social media and organic promotion with Underground Music. I aim to deliver a fresh perspective on traditional media. Stay tuned for more!

Arrive early,
Come as you are,
We are Global,
It’s #aboutthemusic

drumheavy

Dancefloor Certified.

Biography, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series-Local-Installment 8-Ticky Ty & Miz Megs Make an Awesome Team! (Toronto)

No matter where we are there’s always a starting point…..these ladies here revisited memory lane to talk about how they started doing what they’re doing today!

Before the official interview I spoke to Ticky Ty and for some odd reason- I discovered some interesting facts. For those of you who actually know me I’d lived in Japan for a bit and after talking for a bit I learnt that she also lived there! She worked at a local franchise club/bar Sam and Dave’s. They had many locations all across the city and country and I too worked at that same location many years ago. She had lived in Fukuoka/Osaka and I lived in Osaka. Two really happening places in the Kyushu and Kansai areas- this was an awesome surprise!

Cool facts about Miz Megs:

o She met Ticky Ty at Andy Poolhall;she booked her for an all girl DJ line-up

o She just found out about the term ‘New Jack Swing’ this year! She’s loved it long time.

Some cool facts about Ticky Ty:

o Used to listen to Happy Hardcore and Chill out. Did you?

o She started with a 2 channel Stanton Mixer and Battle Mixer Turntables

What struck my interest was the energy they had behind the decks. I wondered what it would be like to talk with them. I’d been to their shows a few times-Li’lys, CODA and Geary Lane. You see, sometimes it’s not so much what they play or how they play…it’s the passion they put into what they do. It shows. They keep the crowd going. I’d seen them spin separately and finally side by side at Love Buzz this past July! They absolutely make a great team. They took a bit of time to chat about how they got started. I’m truly inspired. I asked them what keeps the passion for music going and eventually we talked about how it all started …..

Me: What’s you earliest connection to music?

Megs: I remember being 6 years old, listening to Dance music, pushing the couch aside and watching my reflection in the TV while my parents played cards with their friends. I just loved Pop-you know, Debbie Gibson and Paula Abdul. I would turn on the Pirate Radio Sessions (Energy 108) and listen to Chris Sheppard! (I think everyone started with that.) I also danced Ballet from ages 3-16, that was very similar to Ticky Ty!

Ticky Ty: I started dance at Toronto Dance Theatre at 3 years old. All my early music connections were dance-related. ‘I went back to visit almost 24 years later and the same pianist and drummer was still there. Rhythm came naturally to me.

One thing I loved about talking with them is that they followed each others’ cues. You can see how connected they are. It’s then that I understood that these two had one of the foundational pieces that demonstrated a deep interest in music at such an early age.

Me:Which music era speaks to you the most? For me, I really Iike the 70s……

Miz Megs: 90s Euro and New Jack Swing. ‘I never knew there was a term for it until this summer’ I offered Blackstreet as the more well known groups that was known for this style in the 90s. She spent some time on Youtube listening to songs to see more groups. She never knew there was a term for it until this summer.

Ticky Ty: She says ‘Guys don’t laugh at me, but I really love the 20s. She mentioned the movie Chicago. And the truth is the 20s sound has been sampled quite a bit in Dance music. She is hilarious because she adds ‘ I probably wouldn’t do to well in that era or even be alive then. ‘I still really like Jazz and Swing.’

Me:When did you realize you were into House?

Miz Megs: Dancing at home and thinking I was in a club….’I wanted to be a GO-Go dancer’ and Ticky cheers her on and says ‘It’s not too late girl it’s not too late’ This was the interview highlight.lol

Ticky Ty: ‘For me it would be with an old friend of mine, we used to steal her older sister’s Happy Hardcore CDS and pick raspberries in the backyard and zone out.

Me:How did you both meet? Andy Pool Hall! They were both booked for an all girl Dj line up and Flipside/Andy suggested she ask Ticky for that night. Meg booked Ticky. ‘Thanks Flipside!!’

Me: Who do you wanna work with? Any production yet? ‘We’d love to work with Duro. ‘I had a song out with Jerome….We’ve worked with Flipside. Internationally they’d love to work with Chus and Ceballos and Channo.

Me: What kinda music are you both listening to right now?

Ticky Ty:‘Stuff comin out of Brazil… Groove to Light and all that dirty and hard stuff.(Okay!!!???lol) Megs-‘ Luciano is my all-time favourite but lately I have been especially inspired by Loco Dice. I love that hip hop flavor he adds to his sets.

Me:The one thing that comes to mind ladies; in the industry doing your thing spinning- Meeting people at the party, meeting people in and around the scene. What’s it like? You know, doing business?

They break it down to two trains of thought:

You get the ‘Wow, chicks that’s hot… let’s watch it OR ‘Oh mi gawd chicks;they’re probably gonna suck’…’You get a little bit of both. It’s either you don’t get the same sort of initial responses as with a guy. You’re either a chick or you’re a commodity. Or you suck. ‘You have to prove yourself past those barriers. Every. Fucking.Time. Which is fine-because every time we do it-we show what we can do…..’

Me: You ladies take what some would consider very sexy photos…..what’s up with that? They (the pics)look good by the way…

I got in shit for that a few weeks ago…..Meg said ‘someone called them out for showing side boob and abs’ they were told that on TRC….. that no one would be attending their gig because they actively/purposely used their bodies to sexually try to get a gig’. Their comment got destroyed by people defending us because they are just press PHOTOS and anyone who has actually seen us in person knows we usually wear baggy clothes and are so not like that. The guy eventually apologized. <<<interesting, yes.

Me: Wasn’t the gig already got?

Miz Megs/Ticky Ty: Yes! We didn’t make the flyer. A group discussion ensued and one of our fans supporters told the person where to go….fans are awesome that way!

Me: Where can we find you ladies?

Miz Megs/Ticky Ty:Nest, CZ (Comfort Zone) and various parties across Toronto or in cities out-of-town.

What do you both like about Dj’ing? Meg-‘The music and getting to be a part of something that has to do with the music you love….‘Just being there to dance. And creating a new sound with what you love.’

Ticky Ty:‘I love the connection I have with everybody. It’s really intense. You can almost feel the energy of this group of that people or that group of people. As long as you let go you get into a meditative thing. You can just feel it. Everyone moves as one. Not over thinking it. It’s really nice to be the catalyst of something like that. Spurring a movement, its healing for me and so many others.You can go to an underground party and a CEO of Microsoft can be dancing beside someone homeless. And it doesn’t matter. No one cares what you do in the daytime. No one asks.’ What do you do in the daytime?’ Meg says ‘I hate when people ask that’ they both agree. ‘Shut your face we’re dancing right now.’

It’s a challenge for the music/entertainment scene to really delve into current issues and/or politics but very necessary so I asked anyway:

In light of everything that has happened in the last week. (Orlando shooting) How do you feel about it as a musician/artist/House enthusiast?

Ticky Ty:I wanted to take it back to pride month because the House scene did come from the Black Gay Scene. She played the night and remarked at how special it was to spin for so many.’There are no cultural and sexual boundaries. We don’t give a shit about that stuff. We’re blessed to be part of an Underground Community that embraces everything. No cops standing around at the outdoor party. No one is being searched at the door. People are enjoying the music…..it’s such a gift….……The vibe is really connected. You can’t fake it. It’s visceral. You either don’t like it  or you totally enjoy it.And beats is their gift to us.Entertainment people don’t really like to make comments about political shit but they did! So much has happened since then…..

We’re half way through the year what’s in store for 2017? At the same time they answer: Production! That’s the next step, albums will happen once we tour and produce more!!!

Alright ladies, DO YOUR THANGS! You can find them on most social platforms! @DjTickyTy @MizMegs

Thanks so much ladies!! You both rock!

 

 

 

 

 

Biography, DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series -Typical Cat…everything bass. turntables only-LOCAL-Installment 6 (Toronto)

 

Typical Cat

It’s amazing to have a blast from the past……a lady I met about 7-8 years ago we talked about turntables and vinyl. We stayed in touch. Look at what she’s up to now…..

Who are you? DJ Typical Cat

What’s Her Story?

As far back as she could remember her Dad was a drummer. He collected records. Her aunt was a country music singer. ‘When I was younger I was listening to House Music and stuff…I’d turn on the radio and I would just feel it in my heart…stuff like Electric Circus or Much Dance…you know that kinda shit?’ When she first heard something she liked she says, ‘I felt it in my chest, I felt it in my heart…. in high school about grade 8 or 9, Freaky Flow was the first guy I heard of when it came to Jungle or Drum N Bass. In high school I heard his ‘World Domination’ album  and it got me hooked. I heard Nelly Furtado on a track with the drums and bass and I wanted to understand this type of music more. So I got into guys like Andy C, Dj Craze, Dj Hype. I’d always loved this music without knowing what it was. I wanted to know about it and I started to go to raves by myself and I just knew that I wanted to DJ and I was just there for that.

About her first gig…. Her very first event and it was bigger than she expected. This was one of  her very first BIG events at Velvet Underground. ‘I was nervous as hell but I had fun with it and opening up for Plastician was a huge deal for me because he was a DJ, I looked up to in so many ways.’ She noticed that people loved what she was doing. She mentioned that this is something that women go through. She remarked that women should be confident especially when wanting to pursue a thing like Dj’ing. Some people will like that. Focus on the positives.

About raves….I wasn’t going to party and do drugs. I would just watch what the DJ was doing- I just knew that I wanted to DJ.

What did you do the first time around? In grade 9 my mom asked me if I wanted to sign up for-those program books for summer classes. And right away I was like I’ll take that! Then in grade 11 when I had enough money, I bought tables!

How were those classes? What did you learn? ‘I took that class and actually Oscar ‘DJ Grouch’ was the first person to teach me how to use a turntable. He taught me VERY basic stuff-he taught me motions like scratching and stuff, not cuts but feeling it out with drums and using levels. He was an awesome connect because he’s pretty big in the city. Knowing him made me feel like I was on the right path. He wasn’t just some guy turned DJ. He was part of the scene, he was a great teacher. He would even give me records. I started with Hip hop and I went from that to Jungle.

 What kind of music do you like? ‘My heart’s with Drum N Bass. I love listening to the radio. I love top 40. I love funk. I love listening to things I’ve never heard. My sound right now is Bass.’ She plays unreleased dubs straight from producers-I love things that are brand new!

How’d you find your style?  It was a journey. It’s taken her a few years to know her musical taste. She plays a more Housier Bass style now but for awhile she went through a Jackin’ House style even. But really, mostly ‘I need that Heavy Bass…I think I found my sound at Plastician-it has the same BPM as House’ (Yes, it does.)

Working with Alan Lam-what’s that like? Her partnership with Alan Lam (Stranjah) didn’t just happen, It came after some time. ‘He’s got a wikked business sense and very passionate about his work. I’ve thrown parties with him and I know there’s a huge following. Regardless of that-I love this music! She is grateful for her crew because they know what they are talking about. They are pioneers of Jungle. It makes her feel confident.  When they’ve produced tracks he asks her opinion. She never questions his decisions when putting together events or tracks. She recalls her first ever event headlined party with Demuir which was a huge success.

About Vinyl and Serato ‘I really need to learn not to carry records everywhere that I spent so much money on. I went switched to Serato. It’s the next best thing. It’s like faking records. So now I just stick with Serato. It’s funny cuz I feel like I’m stuck in the past with all of this. People are all up on their shit with CDJs and all that. There are USBs wherever you go. Something about the CDJs are just not my thing….I’m a record and turntable person…it’s not the same feel. I need to feel it. People now know that if they’re booking me I won’t show up without turntables….I made it that way.’ She doesn’t care that it’s a hassle. ‘People have told me I wasn’t gonna make it anywhere because I insist on turntables. So many people say it’s not industry standard.’ She thanks and shouts out club owners who come through with turntables.

About Old Skool tunes…. Some old heads have said that they’ve heard some parts of her mixes/sets. They listen to her mixes and they say that the samples or funk records are from back in their B-Boy days…..’If I hear it and I like it and it’s usually from an older genre’.

Vocals? No vocals? ‘I like some singing but not too much of it. It must be subtle….not too overdone. It’s hard when you have a set with too many vocals. Actually, it’s just not my style. Sometimes I like vocals every 2 or 3 tunes. I usually like vocals at the beginning of my mixes because it draws attention to the crowd.’

How do you prep for a gig? ‘You overcome your nerves. Even if the bar is empty I used to get nervous but like always I’m still riding off of it. The rush you get from it is amazing. You break walls after the first gig. You reach out to people you don’t even know. People tell me they’ve downloaded my shit and bump it in their car. And I’m thinking…. I did that just for me….I’m still riding off the gig I did 2 nights ago’ lol

Your Mom and Cousin were at your last gig…..

She told her Mom to wear black to fit in. She thought it was everything that her Mom felt it would be. I talked to her about what my mother said also. It was something out of a movie. ‘I didn’t think my cousin was gonna stick around but she stayed ’til the end of the show!’ She remembers how her mom used to yell at her because all she would hear is Bass shaking the entire house and she’d tell her to stop. Shockingly she kinda yells out ‘Now she’s coming to my parties?!!!! It was very weird. I haven’t even heard her opinion yet. I’m so scared. I don’t even think she has an opinion it was just something for her to experience in the moment. It was amazing. My mom would ask me back in the day about the Bass shaking the walls. I think my mom was very proud of me.’

Cat, who do you wanna work with? She wants to work with anyone specifically with the people who throw Promise parties. She wants to bring her sound to Costa Rica. She sees herself in Europe. (Anywhere in the UK) and many of the people she works with are always touring there. We talked about the Underground and how our scene is quite different from across the pond. For example how progressive and genre flexible the musical tastes are.

Any advice to those in the creative field who want to venture into production, promotion, Dj’ing anything related to the industry/scene? (As a woman to the ladies out there what would you say?) Throughout our talk she kept referring to the old her…’. I was so concerned what others thought about the music I played-now I don’t give a shit’….You don’t always have to play for everybody else just play for yourself. The people who like it will enjoy it….!

How about people who have an original skill/sound….We talked about upcoming female producer Wondagurl she comments ‘I can guarantee you she’s doing shit she loves. I’m not big time nothing but I’m just doing it cuz I love it. I wasn’t ready for it before. I’m ready now. And all the things I’ve always wanted are coming to me. I love this music!’

Cat emphasizes….‘I can’t stress enough…you need to stop caring what other people think of you. Just do it. Reach out to whatever connection you have-because not everyone has them-and if you know even one person that’s into the same thing as you or if you know one person that you’ve looked up to, reach out to them’. She’s reached out to people from across the world on Facebook alone…. ‘It’s that easy, some are flattered and will do everything they can to help you. Take the plunge and just ask. She realizes that she’s the only person holding her back and if it’s meant to be it’ll come’.

Typical Cat spins next at Round Venue in Kensington Market, August 25th 2016

 

Thanks, Cat!

Check out her set Typical Cat – Live @ Rumpshakers Present AMIT + COMPA – July 2nd, 2016 on SoundCloud!

Vinyl Rainbow

 

 

 

 

Album Reviews, Biography, DJ Culture & Music, House Music, Movers & Shakers, promoters, Toronto

House Music Series –International- Marie Joly – Offering Recordings – Gratitude’s Debut

 

Marie Joly had a lot to share about life lessons, humanity and love. Offering Recordings first lady’s music is described as ‘strongly perfumed with spiritual and conscious messages’ What grabbed me was the album title…I have much to be grateful for. GRATITUDE. Simply titled.

Boddhi Satva declared Marie Joly as ‘one to watch’ 3 years ago during our interview. She was still in production mode when he first visited Toronto and I listened to minor releases until I saw a quick blurb online a few weeks ago that her album debuted on Traxsource at #16! What an entrance! She’s not a stranger to the underground scene though…..this is just one of many projects she’s been working on…we Skyped- me in Canada and she in France! Awesome convo….

Me: Marie-Joly thanks so much for this interview, I can’t believe you’ve finally released some beautiful material after a few years under the radar. Congratulations on your success. Your single and titled album ‘Gratitude’ debuted at #16 on the Traxsource ‘House’ charts.

Me: How would you describe your music?

She: I would describe my music as harmonic, it goes deep, it could be House….if people dance to it maybe……its hard to classify the genre. It’s healing music. I know I want to move people, emotionally and spiritually, like Boddhi!

She: I would call it ‘Spirited House-it’s a more natural sound’ She says ‘I try to be harmonic and soothe people, if I can make people dance that’s ideal’ I’m so proud of this album because even though they are unknown or locally known from (France/Scotland) they are flexible yet experienced artists. “I call it New Age; Funky”

Me: Why music? Tell us a little about yourself? How did you get into making music?

She: My favourite part…I played music from a young age. I was a classically trained musician, I studied ballet, I read music, I played the piano.

Instead of rigid music study she spent time studying improvisation (thinking outside the box). She had to practice Chopin but jazzed it up during practice. Her teacher wanted her to learn the Classics but she continued her musical studies in Jazz.

Me: You’re a multi-talented person…. How long did it take to finalize this specific project?

She: From the time Boddhi suggested I get working on an album to when I handed the album in, it was about 3 years…. so naturally some stuff on the album is older. This album is a good synthesis of my production history. Some old and some new. I needed to create pieces that completed a story.

Me: What does/how do you roll-out your creative process?

She: ‘My mind is always creating, I walk in nature, I hear melodies. I’m walking in the street (I hear melodies, I have lots of inspirations.) I can hear what’s happening in my head, I even hear sounds with silence. You can process sounds and sort them out, it’s kinda like musical meditation’.

Me: What comes first, writing or studio time? Are you a House producer?

She: I produce first, I lay down backing vocals first-it’s a transformative process. It’s spontaneous and in the moment. I go back to adjust and press record. It’s like I’m telling a story. I write about how I feel when I’m looking at me. I’m not disassociating my personality but I look at it. (Be sure to have a listen to ‘Lovin’ You’.) It’s one of those examples. I’m grateful for simple things in life, nature, music, friends and my life. I’m an avid vinyl collector too!”

Marie Joly

Me: What’s your favorite part of the creative process? What’s your least favourite?

She: My favourite part is pulling together sound files, ideas and beats and sounds I’ve saved so many sound files so I can work fast and not waste any time while the creativity is showing up….My least favorite is bittersweet; working with the likes of Atjazz and Black Coffee the pressure is on to create solid output (superior sound.) So humbly she says ‘you know these guys are tenured, you learn from them, it’s humbling-they show you production tricks and knowledge and you’re completely blown away….When I think too much in the studio I lose the thought and vibe so I like to be spontaneous. With that spontaneity you find that some producers are highly spiritual and they are definitely running on a very ‘Deep’ vibration when they make and play music.’

Me: So are you are a producer? (I hate job titles and labels but I had to ask.)

She: I don’t take myself purely as a songwriter or producer. I speak from emotion-I write about emotion. I improvise like Oggun. (Known for his protective nature and his ability to spark ingenuity.)I layer tracks and sounds. It could be spontaneous or it could be here and now.

Me: For this album, did you work on any tracks with Boddhi?

She: NO (he’s 100 supportive from the sidelines) I’ve got a few very close friends that call often to see how I’m doing and they are always checking in to see how smooth the production process is going.  But how I met Boddhi was ‘synchronicity’. She ties this in because it really was a chance meeting.

I was making music but I didn’t know I could get into distribution. I  ran into a producer for NHS Scotland and was commissioned to make a soundtrack for a documentary on Lenox Castle-a hospital. The filmmaker was asked me to do this for NHS National Health Scotland. (Sounds familiar with Jellybean’s story huh?) I worked on it and eventually handed in a tape.’ It’s then that she realized music (her music) was a business!  Fast forward to Winter Music Conference WMC 2007 she did plenty of promo in Miami right around the time he (Boddhi) released his first single on the Soul Heaven compilation. He encouraged her to work on something……this produced ‘Lovin U.’ (Oh la la…qu’est ce qui ce pass?) Boddhi played it EVERYWHERE-it was re-released and remixed by Louie Vega and it did VERY WELL! Boddhi recommended she work on an EP and album. Voila, here’s the album!

During her formative musical years she moved to Scotland and resided there for some time-and it is in Scotland she says she ‘listened to music differently.’ She discovered their ‘Underground’ and slowly built her recording studio and also where she discovered turntables!

Me: Who would you like to mention from the Scottish House Underground or off the beaten path?

She: Aqua Bassino, Vashti Bunyan (brilliant folk singer/songwriter), Craig Smith & The Revenge (check ’em out.)

Me: Who are your musical influences? Who inspires you musically? ‘Nick Holder I respect his musical craft.’ A lot of the times though she says, ‘It’s not just the music that makes me enjoy their music-it’s more than that’ Her favourites, [Boddhi] with the ancestral movement/sound. She really likes J Dilla’s production he helps explore her approach to music production. Other favourites: 4 Hero, Bilal, Vikter Duplaix. She lists so many more….

Me: Who would you love to work with?

She: Osunlade, Moodyman are on my list.

Me: What next for Marie Joly and Offering Recordings?
Marie Joly: Album #2 is 50% done but you never know…there are no collaborations. I’ll work on it myself but if something presents itself I could end up working with anyone.

Her parting words…..Marie Joly <<<(she’s on Twitter) believes that ‘Even though we all try to live with our art, we all have the power and capacity to not only focus on the business side of music. ‘It feels empty that way.’  She promises that this album has more artists with more experience and you do feel it [the ethereal sounds] on Gratitude. You can purchase the album on iTunes.

Marie Joly Just Be

DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Social Media, theshineprjct, Toronto, Travel

House Music Series – Toronto LOCAL -The Boxing Loft Social Club – Installment 4 – A Commitment to Excellence (Original article no misquotes here) :D

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is THE original article. There are many House DJs,artists,promoters all over Toronto. Be sure to check HERE. No one is above anyone else. No one is more supported than anyone else. The House Community should be a place where many people can showcase their work,make people move and most importantly show the world what we have here. (Not divisive in nature.) I would never support one movement,genre,sound,crew,mixer,club-over the other. I would never post anything that suggested that either. It’s highly unfortunate that more interviews couldn’t be successfully completed throughout the city…..oh well 👍🏾

The language used in the other versions were NOT the words spoken or recorded during the interview. Please check for misquotes and re-structured sentences and phrasing. Fact check for accurate info. I repeat there are so many people who contribute to the scene all over the city. As I started this section, my intention wasn’t to say one thing was better than another.

I’ve got many friends who visit this city and don’t know where to go if they want to hear good sounds and many are not aware that Toronto has a burgeoning House or Techno scene. We had an amazing interview, Emile. This is NOT what was said. No loss in translation. (Names of artists, hosts, promoters or venues might be preferential to the individual expressing that in the interview but if anyone has ever quoted anything sounding very odd-know that it is edited before it is posted here.)

(Emile, please don’t misquote our discussion, that’s not what was said.)* 

TBL_logo1

From a gig as paralegal to event party planner to disciplined athlete turned boxing instructor and now accomplished business man-Emile Awe Reed is one focused individual seeking excellence.

I’d been to Loft SC a few times…I wondered who was behind  its open concept. I chatted with Emile via Skype a little over a week ago and talked about it quite a bit….

How House Music has influenced his life: Music has always been a part of his life. He was in the choir at school. He attended North Western State University and was a member of their Choir. He grew up listening to Nana Maskari, Harry Belafonte among very many unique artists. He grew up listening to Classic Rock and loved bands like The Who and Led Zeppelin. He still hadn’t embraced House by then yet but by the 80s and 90s  (the most influential era in my House Music opinion) and really got into Reggae.

He notes that it was not until one of the longest running Toronto parties (Twilight Zone) that created the connection. He started attending events in (2004).
During a difficult time in his life he truly embraced House. He eventually met DJ Gene King who always mentioned the importance of an ‘open mind’.They are now business partners! Look out for UDM (Underground Dance Music) parties they throw twice a year!

House Music IS Just So Cool: He opened The Boxing Loft Social Club. House music’s sole purpose at the Boxing Club serves as a pace-setter for boxing technique (shadowboxing) and foot technique. ‘Boxing still uses rhythm just like dance….. Reed tells me with conviction,’most of the House I hear, I love…if you want to be a good boxer, you’ve got to be good at everything-a complete fighter…this is why I fight to music’.

Unlike many…..I had no idea ‘The Boxing Loft’ was an actual boxing gym! As a brand marketing pro-star I thought it was a well-crafted brand image that simply brought people together-along with a prop stage boxing ring (silly me)! With ‘Inspired Gatherings’ happening frequently, ‘Social Club’ is exactly what it is. There are arts focused events, boxing instruction and dance party events all happening within those four walls! The social component never ends!

Reed started running events at 199 Queen St. E in 2004 and ran into snags with liquor permits for locations and capacity violations. It made sense to find a permanent home for events and voilà: The Boxing Loft was born! Growing up he watched Fred Astaire and Ginger Rogers and learnt that during their time social clubs were VERY popular. People with similar interests gathered to socialize and grow their memberships. This is what the future will look like at the Boxing Loft!

The Way Emile Sees It: Reed has a way he does business with co-organizers in the scene. ‘I’m always gonna be upfront and real with people…I’m a new cat, I’m still learning….I like to work with anyone who is willing to learn, you need others in order to attain wealth….With more people there’s power…I’m a business person first….You have to be respectful…It’s not just about me’. <<<shine’s thing too!

Misquoted elsewhere. Working With the Local Toronto House Behind-the-scenes promo people: If it wasn’t for my team, I wouldn’t be here without hosts and promoters. (if I didn’t mention you, I apologize) I removed the names because it seemed to cause issue. You are the ones that enable my name to get out there. I appreciate that they have helped me brand The Boxing Loft. Even though I’m the boss-I don’t stand alone…..I’d be nowhere if the DJs didnt play in my space.

shine’s words added here>>>SO MANY AMAZING KEY PLAYERS THAT MAKE UP THE CITY’s scene-I WISH IT WAS AN EVEN BIGGER SCENE with a unified platform to bring more people from overseas to (Toronto). Absolutely no shade. 

DJs as Artists:How Does That Work? (Misquoted section)<<<click here

DJs should be validated as artists. I have an idea of how DJs should play. This is how/why I choose who plays at The Boxing Loft. DJs like Yogi,Stan Zeff, Zepherin Saint,Ian Friday, Josh Milan, Joe Rizla. DJs of THAT calibre-this is how I choose. I try to keep the DJ guest choices at a certain level…..you know that standard…..As an athlete I strive to be the best, same as the DJs. I have to make sure I shine so the DJ shines and the underground’ll shine. I want The Boxing Loft to act like an advocate for House Music. <<<<<<<(there are many groups, that are very good, that sound good and have large, medium or small followings all over Toronto-it doesn’t make anyone better or worse.)

What to expect at The Boxing Loft:

No drugs allowed inside (it’s a sports venue and creative space too!)

Make sure as you enter TBL you can somehow relate to what you’re taking in (art/music/sport)

Come in with an open mind

You will always be treated well

It’s a place with an incredible vibe

You too can box or dance at The Boxing Loft Social Club….For events visit Twitter @TheBoxingLoftSC  or their website http://theboxingloft.com/

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is the original article. There are many House DJs,artists,promoters all over Toronto. Be sure to fact check HERE. No one is above anyone else.All key players as a WHOLE contribute in many ways. People visiting Toronto internationally should be able to visit many venues to party safely during their stay here. Please check for misquotes. Fact check for real info. All media outlets are used as informative vehicles for change and to build legacy. The section of this blog was intended to bring all types of people to Toronto to embrace all genres of House. This article was not intended to be divisive in nature. I enjoy House music. And this section is all about it.Don’t take offense until you know what you’re reading is TRUE. Don’t misquote or force something that wasn’t said. (Updated in 2018-had no idea this was altered elsewhere!)

-shine

Establishments, events, House Music, Movers & Shakers, Music, Toronto

House Music Series Toronto LOCAL – Summer 2014 – Installment 2 – Bunda Lounge: The Meeting Place to Dance

Bunda Logo

 

Bunda Lounge has hosted some fabulous DJs in the last FOUR years! Bunda just celebrated its fourth year this year!  I always wondered where the club name came from. It has a ring to it. Ivan explained, “It’s a slang word for a ladies’ derriere…..I won’t go into anymore details”LOL. Apparently this is the slang used in a few countries (Angola,Brazil,Haiti)! It’s quite a catchy name with staying power just like the transformational steps it took to start this joint……

I sat down last week to talk to owner Ivan Fialho of Toronto’s Bunda Lounge. I had an awesome conversation all about one of the hottest homes of the ‘international house’ scene in our city.

shine:Congratulations on celebrating 4 years! I had no idea. It takes a lot of dedication to keep something going let alone a business…What started Bunda?

Ivan:My involvement in music started this. I came to Toronto at 14 and began helping my brother with his music thing. He used to DJ and spin at different places and I’d carry his records. After he threw in the towel-I started spinning out at parties (specifically African music, Zouk & Kizomba etc.)

shine:What type of place did you want Bunda to be? What’s the best thing about running events here?

Ivan:All elements of Bunda including the music featured here, the acts that play here are reflective of my musical background. It’s not by chance but by design!I specifically wanted to focus on my (Angolan) roots music- the kinds of music I grew up dancing to with my Mother. As a child she would force me to dance with her and as I got older I learned to like and really appreciate this music! Bunda was born out of  wanting to move  forward without having to move from venue to venue. I wanted a place where my musical tastes could have a unique exposition of culture.

shine: Bunda’s location-Why Dundas/Ossington?

Ivan: When I first got to this neighbourhood, no one was here! I knew this area was gonna be a bustling area. This area was initially 90% Portuguese and 10% Vietnamese. Now the area caters to all kinds of people bringing business to the area! People here are open to all kinds of foods, music and services!

shine: Last Summer Bunda Lounge was quite the hotspot, EVERY WEEKEND….you  collaborated  with United Soul/Groove Institute extensively last year; what’s in store this year?

Ivan: The partnership continues this year! It’s been quiet the last few weeks because of this year’s World Cup and the games brought some good business lol. We’ve got some big acts lined up for  the next 5 months. Some of the big acts from last year are returning and of course, we will always continue to work with local talent.

shine: What was the best event you’ve held at Bunda Lounge?

Ivan: Hands down, the Boddhi Satva party! That party was on of the ones that stood out. He took us on a journey! The vibe that night was incredible. He showcased all kinds of real good music. He told a story! (I totally agree with him about this.)

shine: What’s the future of Bunda Lounge and the Bunda Lounge brand?

Ivan: Bunda Lounge is here to stay. We’re gonna keep going. We’ll continue to showcase what Bunda does best. With whatever you do understand that you can’t please everyone but you’ve gotta try. When I started I didn’t know anyone-no one knew about this venue. Now,I take time to build solid relationships with the establishments around Bunda and others in the industry. I’m creating a sort of Bunda Renaissance.

The Lounge is open from Tuesdays to Saturdays every week! They are open occasionally during the day for games/matches on TV (World Cup). For folks who don’t know, Toronto is a PATIO city!There’s a patio outside where you can grab a few drinks and chill. Bunda is available on Sundays for private events. They’ve got a Hump Wednesday night coming up. Thursdays and Fridays usually have some dope house nights and Saturdays are usually the best nights around!

Ivan still spins in the city and will be playing at this year’s Festival Kompa Zouk Toronto – The festivities run from July 26th to August 4th 2014. More things to do in Toronto! Check it out here: http://www.fkzo.ca/events.html

This Saturday Groove Institute is back with legendary locals Dino + Terry this Sat July 19th at Bunda! It’s always a dope party! For locals, see you there! For out-of-towners and international visitors to Toronto, it’s truly a one-of-a-kind party! If you’re visiting Toronto find Bunda on Twitter @BundaLoungeTO or Facebook!

 

July 19th bunda

  -shine

 

Biography, DJ Culture & Music, Establishments, events, House Music, Music, promoters, theshineprjct, Toronto, Travel

House Music Series – Nothin’ But a Little Monday Night Reading – TRIBE – Zepherin Dean Saint Brings the Heat with Some Thoughts…..

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After reading so much about his accomplishments and time spent in the industry- the descriptions I heard were all positive. His intense level of creativity…his tenacity for music and his jet-setting Tribe crew….I had questions about what started it all and what keeps the whole thing going…

I hit up the TRIBE website and was graced with some new and current tunes from an awesome podcast and as I scrolled around I saw the growing list of label artists who hands down seem to be one of the hardest working artists collective in house music…I smiled at my fave-Kristel (props), Peven Everett, Tim Regisford, Djeff Afrozila (see July interview) Nathan Adams….the list is growing. As I met up with Zepherin ‘Dean’ Saint last weekend, I understood that he had been travelling extensively…..the kitchen corridor at the new Ricky Ricardo’s became our interview space and I fired away….

I asked him about the artists and why he signed them…. he answered straight with no chaser ‘it’s all soul music, with depth’…..I liked his answer this set me up to understand the way he perceived music……I asked him ‘why house music?’ He had grown up playing a wide variety of instruments (drums and piano) and he adds ‘house music is one of the only genres to encompass all styles sounds under one umbrella’ For what house music represents this is a very unifying answer. What’s the one trend changing the UK house scene today? The new generation is embracing the sound of the 90s and re-working it to suit the modern taste  and style.

What do you think of the South African music scene? Simply put ‘I’ve been visiting SA since the 90s…from then until now they stay hungry (about the music) South Africa had a bourgeoning scene in the 90s they’ve now been able to create something tangible and lasting, they’ve nurtured something that is uniquely their own.’ Similarly he argues that the South African House is differentiated by the drive and hunger of the people who make up that scene. From dance floors to studios it’s all authentic…… Very candid and well thought out!

I asked him how he feels the Miami Winter Music Conference (WMC) had changed in the last 15 years and one of the most interesting answers I’ve heard…He believes that ‘it hasn’t translated into a new audience, numbers haven’t grown or expanded which mean they haven’t connected with audiences’….Could Zepherin ‘Dean’ Saint be onto somethin’?

If things haven’t changed too much in the industry and you have trailblazers carving out their paths where does all his energy come from? How does he keep going artistically? It comes from the various musical genres he can draw from to make good music-no matter what it is. Disco, Latin, African, Caribbean, Tech….. pretty much anything. His comments veer into production styles he says that these genres can allow him to play with musical tempos and make use of some great production software. (He’s a techie)

With all this travelling the team’s been doing where has TRIBE been well received? He lists first and foremost France (See DJOON podcasts), New York, Atlanta, Montreal and Greece (Kefalonia) The energy in those cities is on a completely different level. You can see that the TRIBE family often promote and travel to these places together!  They support one another-this seems to be the formula!
With TRIBE making so many waves this year, what should we look out for with TRIBE in 2014? New music from Miranda Nicole and Stephanie Cooke and a string of singles he’s working on!
Advice he offers to those trying to get ahead and make waves with their music, projects, talent, production, promotion: Believe in yourself, stay focused, keep your passions alive!

Thanks for reading people!

-shine