Biography, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series-Local-Installment 8-Ticky Ty & Miz Megs Make an Awesome Team! (Toronto)

No matter where we are there’s always a starting point…..these ladies here revisited memory lane to talk about how they started doing what they’re doing today!

Before the official interview I spoke to Ticky Ty and for some odd reason- I discovered some interesting facts. For those of you who actually know me I’d lived in Japan for a bit and after talking for a bit I learnt that she also lived there! She worked at a local franchise club/bar Sam and Dave’s. They had many locations all across the city and country and I too worked at that same location many years ago. She had lived in Fukuoka/Osaka and I lived in Osaka. Two really happening places in the Kyushu and Kansai areas- this was an awesome surprise!

Cool facts about Miz Megs:

o She met Ticky Ty at Andy Poolhall;she booked her for an all girl DJ line-up

o She just found out about the term ‘New Jack Swing’ this year! She’s loved it long time.

Some cool facts about Ticky Ty:

o Used to listen to Happy Hardcore and Chill out. Did you?

o She started with a 2 channel Stanton Mixer and Battle Mixer Turntables

What struck my interest was the energy they had behind the decks. I wondered what it would be like to talk with them. I’d been to their shows a few times-Li’lys, CODA and Geary Lane. You see, sometimes it’s not so much what they play or how they play…it’s the passion they put into what they do. It shows. They keep the crowd going. I’d seen them spin separately and finally side by side at Love Buzz this past July! They absolutely make a great team. They took a bit of time to chat about how they got started. I’m truly inspired. I asked them what keeps the passion for music going and eventually we talked about how it all started …..

Me: What’s you earliest connection to music?

Megs: I remember being 6 years old, listening to Dance music, pushing the couch aside and watching my reflection in the TV while my parents played cards with their friends. I just loved Pop-you know, Debbie Gibson and Paula Abdul. I would turn on the Pirate Radio Sessions (Energy 108) and listen to Chris Sheppard! (I think everyone started with that.) I also danced Ballet from ages 3-16, that was very similar to Ticky Ty!

Ticky Ty: I started dance at Toronto Dance Theatre at 3 years old. All my early music connections were dance-related. ‘I went back to visit almost 24 years later and the same pianist and drummer was still there. Rhythm came naturally to me.

One thing I loved about talking with them is that they followed each others’ cues. You can see how connected they are. It’s then that I understood that these two had one of the foundational pieces that demonstrated a deep interest in music at such an early age.

Me:Which music era speaks to you the most? For me, I really Iike the 70s……

Miz Megs: 90s Euro and New Jack Swing. ‘I never knew there was a term for it until this summer’ I offered Blackstreet as the more well known groups that was known for this style in the 90s. She spent some time on Youtube listening to songs to see more groups. She never knew there was a term for it until this summer.

Ticky Ty: She says ‘Guys don’t laugh at me, but I really love the 20s. She mentioned the movie Chicago. And the truth is the 20s sound has been sampled quite a bit in Dance music. She is hilarious because she adds ‘ I probably wouldn’t do to well in that era or even be alive then. ‘I still really like Jazz and Swing.’

Me:When did you realize you were into House?

Miz Megs: Dancing at home and thinking I was in a club….’I wanted to be a GO-Go dancer’ and Ticky cheers her on and says ‘It’s not too late girl it’s not too late’ This was the interview highlight.lol

Ticky Ty: ‘For me it would be with an old friend of mine, we used to steal her older sister’s Happy Hardcore CDS and pick raspberries in the backyard and zone out.

Me:How did you both meet? Andy Pool Hall! They were both booked for an all girl Dj line up and Flipside/Andy suggested she ask Ticky for that night. Meg booked Ticky. ‘Thanks Flipside!!’

Me: Who do you wanna work with? Any production yet? ‘We’d love to work with Duro. ‘I had a song out with Jerome….We’ve worked with Flipside. Internationally they’d love to work with Chus and Ceballos and Channo.

Me: What kinda music are you both listening to right now?

Ticky Ty:‘Stuff comin out of Brazil… Groove to Light and all that dirty and hard stuff.(Okay!!!???lol) Megs-‘ Luciano is my all-time favourite but lately I have been especially inspired by Loco Dice. I love that hip hop flavor he adds to his sets.

Me:The one thing that comes to mind ladies; in the industry doing your thing spinning- Meeting people at the party, meeting people in and around the scene. What’s it like? You know, doing business?

They break it down to two trains of thought:

You get the ‘Wow, chicks that’s hot… let’s watch it OR ‘Oh mi gawd chicks;they’re probably gonna suck’…’You get a little bit of both. It’s either you don’t get the same sort of initial responses as with a guy. You’re either a chick or you’re a commodity. Or you suck. ‘You have to prove yourself past those barriers. Every. Fucking.Time. Which is fine-because every time we do it-we show what we can do…..’

Me: You ladies take what some would consider very sexy photos…..what’s up with that? They (the pics)look good by the way…

I got in shit for that a few weeks ago…..Meg said ‘someone called them out for showing side boob and abs’ they were told that on TRC….. that no one would be attending their gig because they actively/purposely used their bodies to sexually try to get a gig’. Their comment got destroyed by people defending us because they are just press PHOTOS and anyone who has actually seen us in person knows we usually wear baggy clothes and are so not like that. The guy eventually apologized. <<<interesting, yes.

Me: Wasn’t the gig already got?

Miz Megs/Ticky Ty: Yes! We didn’t make the flyer. A group discussion ensued and one of our fans supporters told the person where to go….fans are awesome that way!

Me: Where can we find you ladies?

Miz Megs/Ticky Ty:Nest, CZ (Comfort Zone) and various parties across Toronto or in cities out-of-town.

What do you both like about Dj’ing? Meg-‘The music and getting to be a part of something that has to do with the music you love….‘Just being there to dance. And creating a new sound with what you love.’

Ticky Ty:‘I love the connection I have with everybody. It’s really intense. You can almost feel the energy of this group of that people or that group of people. As long as you let go you get into a meditative thing. You can just feel it. Everyone moves as one. Not over thinking it. It’s really nice to be the catalyst of something like that. Spurring a movement, its healing for me and so many others.You can go to an underground party and a CEO of Microsoft can be dancing beside someone homeless. And it doesn’t matter. No one cares what you do in the daytime. No one asks.’ What do you do in the daytime?’ Meg says ‘I hate when people ask that’ they both agree. ‘Shut your face we’re dancing right now.’

It’s a challenge for the music/entertainment scene to really delve into current issues and/or politics but very necessary so I asked anyway:

In light of everything that has happened in the last week. (Orlando shooting) How do you feel about it as a musician/artist/House enthusiast?

Ticky Ty:I wanted to take it back to pride month because the House scene did come from the Black Gay Scene. She played the night and remarked at how special it was to spin for so many.’There are no cultural and sexual boundaries. We don’t give a shit about that stuff. We’re blessed to be part of an Underground Community that embraces everything. No cops standing around at the outdoor party. No one is being searched at the door. People are enjoying the music…..it’s such a gift….……The vibe is really connected. You can’t fake it. It’s visceral. You either don’t like it  or you totally enjoy it.And beats is their gift to us.Entertainment people don’t really like to make comments about political shit but they did! So much has happened since then…..

We’re half way through the year what’s in store for 2017? At the same time they answer: Production! That’s the next step, albums will happen once we tour and produce more!!!

Alright ladies, DO YOUR THANGS! You can find them on most social platforms! @DjTickyTy @MizMegs

Thanks so much ladies!! You both rock!

 

 

 

 

 

Biography, DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto, women & entrepreneurship

House Music Series -Typical Cat…everything bass. turntables only-LOCAL-Installment 6 (Toronto)

 

Typical Cat

It’s amazing to have a blast from the past……a lady I met about 7-8 years ago we talked about turntables and vinyl. We stayed in touch. Look at what she’s up to now…..

Who are you? DJ Typical Cat

What’s Her Story?

As far back as she could remember her Dad was a drummer. He collected records. Her aunt was a country music singer. ‘When I was younger I was listening to House Music and stuff…I’d turn on the radio and I would just feel it in my heart…stuff like Electric Circus or Much Dance…you know that kinda shit?’ When she first heard something she liked she says, ‘I felt it in my chest, I felt it in my heart…. in high school about grade 8 or 9, Freaky Flow was the first guy I heard of when it came to Jungle or Drum N Bass. In high school I heard his ‘World Domination’ album  and it got me hooked. I heard Nelly Furtado on a track with the drums and bass and I wanted to understand this type of music more. So I got into guys like Andy C, Dj Craze, Dj Hype. I’d always loved this music without knowing what it was. I wanted to know about it and I started to go to raves by myself and I just knew that I wanted to DJ and I was just there for that.

About her first gig…. Her very first event and it was bigger than she expected. This was one of  her very first BIG events at Velvet Underground. ‘I was nervous as hell but I had fun with it and opening up for Plastician was a huge deal for me because he was a DJ, I looked up to in so many ways.’ She noticed that people loved what she was doing. She mentioned that this is something that women go through. She remarked that women should be confident especially when wanting to pursue a thing like Dj’ing. Some people will like that. Focus on the positives.

About raves….I wasn’t going to party and do drugs. I would just watch what the DJ was doing- I just knew that I wanted to DJ.

What did you do the first time around? In grade 9 my mom asked me if I wanted to sign up for-those program books for summer classes. And right away I was like I’ll take that! Then in grade 11 when I had enough money, I bought tables!

How were those classes? What did you learn? ‘I took that class and actually Oscar ‘DJ Grouch’ was the first person to teach me how to use a turntable. He taught me VERY basic stuff-he taught me motions like scratching and stuff, not cuts but feeling it out with drums and using levels. He was an awesome connect because he’s pretty big in the city. Knowing him made me feel like I was on the right path. He wasn’t just some guy turned DJ. He was part of the scene, he was a great teacher. He would even give me records. I started with Hip hop and I went from that to Jungle.

 What kind of music do you like? ‘My heart’s with Drum N Bass. I love listening to the radio. I love top 40. I love funk. I love listening to things I’ve never heard. My sound right now is Bass.’ She plays unreleased dubs straight from producers-I love things that are brand new!

How’d you find your style?  It was a journey. It’s taken her a few years to know her musical taste. She plays a more Housier Bass style now but for awhile she went through a Jackin’ House style even. But really, mostly ‘I need that Heavy Bass…I think I found my sound at Plastician-it has the same BPM as House’ (Yes, it does.)

Working with Alan Lam-what’s that like? Her partnership with Alan Lam (Stranjah) didn’t just happen, It came after some time. ‘He’s got a wikked business sense and very passionate about his work. I’ve thrown parties with him and I know there’s a huge following. Regardless of that-I love this music! She is grateful for her crew because they know what they are talking about. They are pioneers of Jungle. It makes her feel confident.  When they’ve produced tracks he asks her opinion. She never questions his decisions when putting together events or tracks. She recalls her first ever event headlined party with Demuir which was a huge success.

About Vinyl and Serato ‘I really need to learn not to carry records everywhere that I spent so much money on. I went switched to Serato. It’s the next best thing. It’s like faking records. So now I just stick with Serato. It’s funny cuz I feel like I’m stuck in the past with all of this. People are all up on their shit with CDJs and all that. There are USBs wherever you go. Something about the CDJs are just not my thing….I’m a record and turntable person…it’s not the same feel. I need to feel it. People now know that if they’re booking me I won’t show up without turntables….I made it that way.’ She doesn’t care that it’s a hassle. ‘People have told me I wasn’t gonna make it anywhere because I insist on turntables. So many people say it’s not industry standard.’ She thanks and shouts out club owners who come through with turntables.

About Old Skool tunes…. Some old heads have said that they’ve heard some parts of her mixes/sets. They listen to her mixes and they say that the samples or funk records are from back in their B-Boy days…..’If I hear it and I like it and it’s usually from an older genre’.

Vocals? No vocals? ‘I like some singing but not too much of it. It must be subtle….not too overdone. It’s hard when you have a set with too many vocals. Actually, it’s just not my style. Sometimes I like vocals every 2 or 3 tunes. I usually like vocals at the beginning of my mixes because it draws attention to the crowd.’

How do you prep for a gig? ‘You overcome your nerves. Even if the bar is empty I used to get nervous but like always I’m still riding off of it. The rush you get from it is amazing. You break walls after the first gig. You reach out to people you don’t even know. People tell me they’ve downloaded my shit and bump it in their car. And I’m thinking…. I did that just for me….I’m still riding off the gig I did 2 nights ago’ lol

Your Mom and Cousin were at your last gig…..

She told her Mom to wear black to fit in. She thought it was everything that her Mom felt it would be. I talked to her about what my mother said also. It was something out of a movie. ‘I didn’t think my cousin was gonna stick around but she stayed ’til the end of the show!’ She remembers how her mom used to yell at her because all she would hear is Bass shaking the entire house and she’d tell her to stop. Shockingly she kinda yells out ‘Now she’s coming to my parties?!!!! It was very weird. I haven’t even heard her opinion yet. I’m so scared. I don’t even think she has an opinion it was just something for her to experience in the moment. It was amazing. My mom would ask me back in the day about the Bass shaking the walls. I think my mom was very proud of me.’

Cat, who do you wanna work with? She wants to work with anyone specifically with the people who throw Promise parties. She wants to bring her sound to Costa Rica. She sees herself in Europe. (Anywhere in the UK) and many of the people she works with are always touring there. We talked about the Underground and how our scene is quite different from across the pond. For example how progressive and genre flexible the musical tastes are.

Any advice to those in the creative field who want to venture into production, promotion, Dj’ing anything related to the industry/scene? (As a woman to the ladies out there what would you say?) Throughout our talk she kept referring to the old her…’. I was so concerned what others thought about the music I played-now I don’t give a shit’….You don’t always have to play for everybody else just play for yourself. The people who like it will enjoy it….!

How about people who have an original skill/sound….We talked about upcoming female producer Wondagurl she comments ‘I can guarantee you she’s doing shit she loves. I’m not big time nothing but I’m just doing it cuz I love it. I wasn’t ready for it before. I’m ready now. And all the things I’ve always wanted are coming to me. I love this music!’

Cat emphasizes….‘I can’t stress enough…you need to stop caring what other people think of you. Just do it. Reach out to whatever connection you have-because not everyone has them-and if you know even one person that’s into the same thing as you or if you know one person that you’ve looked up to, reach out to them’. She’s reached out to people from across the world on Facebook alone…. ‘It’s that easy, some are flattered and will do everything they can to help you. Take the plunge and just ask. She realizes that she’s the only person holding her back and if it’s meant to be it’ll come’.

Typical Cat spins next at Round Venue in Kensington Market, August 25th 2016

 

Thanks, Cat!

Check out her set Typical Cat – Live @ Rumpshakers Present AMIT + COMPA – July 2nd, 2016 on SoundCloud!

Vinyl Rainbow

 

 

 

 

Biography, DJ Culture & Music, House Music, Movers & Shakers, Music, promoters, Toronto

House Music Series – Lars Behrenroth – Deeper Shades of House – International- Don’t Let Your Friends Listen to Bad Music

 

DontLet_BlueFull

Don’t Let Your Friends Listen to Bad Music (Quite explanatory, but still explained)

‘I pick music that I want others to hear. I consider the people that tune in like friends. I want to supply them with what I call good music . The connotation can offend people but if its good it doesn’t matter the time, place or format its in. I have a hard time keeping myself to one sound so I like to share it with friends.’

I was pretty stoked to interview THEE Lars Behrenroth (the don’t-let-your-friends-listen-to-bad-music DJ,the hardest working DJ in show business) You know the Lars I’m talking about!! We open Skype screens both seated with shelves full of vinyl but his collection continues and continues on. My almost empty shelf of vinyl starts and ends with the span of the camera shot. This shows how long he’s been in the music game.

On the day of our interview he mentioned he was editing sets from a huge festival he played  in South Africa a few days prior….As we speak he is editing material from his recent set in Africa…Check it out here! http://www.deepershades.net/dsoh-shows/deeper-shades-of-house-502-guest-mix-by-paskal-urban-absolutes.html

Some really cool facts about Lars from back in the day…

  • As a young man he first found out about slip mats on TV prior to that he was using plastic mats
  • He’d been around music for some time-In 1984 he started breaking, he remarks about a scene he saw in Flashdance…watching a Breaking sequence. He tried it out and had no idea what he was doing …but loved it.
  • The acronym TALK is a collaboration by Lars Behrenroth, Kolai & Taha from T-Kolai featuring the lyrical stylings of Mustafa Akbar and collectively they produced the single ‘Touching You’ and released it on vinyl
  • 70-75% of the buzz and publicity for this single came from South Africa.

Production/The Art of Dj’ing: Where it all began….

He’d been around music for some time. I think it’s incredible that a musical revolution/wave influenced a whole generation that set another trend for a whole other generation how cool is that? He came from a very small town of 60,000 people in Germany. This musical phenomenon changed the game for him. He was enrolled for organ lessons by his grandparents, he was signed up for a musical program at 3 or 4 years old. As a teen he had no idea how to mix. He says, ‘I would play out songs by Kraftwerk and Frankie Goes To Hollywood at the time.The kids (ages 8-13) were always too shy to dance so I’d dim the lights at the school dances to create a night club feel.’

Much later he purchased a Commodore 64 computer and created his 1st SD6 computer sounds. The finished product was nothing musical. He says, ‘It was very ambient-ish, broken kind of beats and sounds. Almost experimental. He later bought a keyboard and recorded a 4 hour VHS set. He had an AMIGA and used his first sequencer software. It was only much later that he studied audio engineering to learn exactly what to do in the studio.

Speaking of experimental….I talked to him about CDR Toronto and he felt it was a great idea. He was aware of CDR Berlin and admitted he was ‘too self-critical to put music out so quickly’ (this is kinda how it is in Toronto.) He did mention that something like CDR would be a great platform to put out remixes.(Big ups Gavin  and Koray!)

You’ve been dj’ing officially since 1986. And you moved to LA in 2004. How’s LA been for you?I enjoy living in LA, I try to spin in the area as often as possible. I started a radio segment ‘Global House Connection’ with my then roommate when I first lived in LA (first a 4 hour and years later a 2 hour show.) When I first arrived to LA I was purely motivated by the music and was playing music for the ‘Nu Jazz and Broken Beat scenes’. I noticed that the scenes were VERY separate. (Sound familiar in your city?) I used to collaborate with LA DJ Veteran Wayne Lyons, we did a night BOTANICA in 2007 and played out 4-5 times a year. The great part about being a travelling DJ is that you get to experience different scenes and vibes in various cities.

You bring a slight Euro-Tech sound to productions that are clearly very Afro…how does the fusion occur? Do you intend for tracks to come out this way?  I like to pay respect the original as much as possible. Often times remixes are completely different than the original. I like the challenge. I’ve taken the shuffle sound from Techno and used it on many tracks.I never know what I’m gonna end up with. I’m somebody that makes, music one way or another. I’ve been a fan of bringing sounds that don’t necessarily go together.

I (shine)personally enjoy guest features…I noticed you started using guest features on DSOH. (How did that come about?) Lars was one of the first and few  to broadcast music online. He always like to share the space when possible. Some of the DJs don’t get the exposure they deserve except for their 10 friends. He was trying to attract a different crowds. ‘I figured I couldn’t record 3 hrs every week-so why not share the space with others. It’s more interesting too!’

Speaking of internet radio:  ‘There are only a few internet radio stations that have a full listenership. Even with a small audience radio stations still fuel music discovery. Especially in South Africa! House music fans are getting younger and younger…Just like Rap-House Music gets kids out of shit. You see this with success stories like Black Coffee’

What is it about SA that keeps you going back? Honestly, they (South Afrikans) party like it’s the last party on Earth. It’s the only country I get the recognition, they embrace the music the way in which it is intended to be reached. The musical education is so much higher than the rest of the world. North America used to be like that. EDM is popping up here and there and you know as production people, DJs, House Heads, Musicians you know what we do in a place like SA. We gravitate there. 70-75% of the buzz and publicity for this single (Touching You) came from SA. This is why Lars contributes to the scene there. The single was re-played/re-introduced in 2010 and VERY WELL received. The original for ‘Touching You’ came out on label ‘Perfect Toy’ NU Jazz (which was big in the early 2000s) 2003 was the first release and again re-released in 2010. I thought it was new “originally released on vinyl in 2003 and licensed by DJ Mbuso for Soul Candi Sessions Two, this remix marked the beginning of Lars Behrenroth’s growing exposure in South Africa.

What is the European/German sound in 2015? What do you enjoy about it then and now? The Euro sound is very much connected to real House Music. It’s true to the feeling we connect to. (Early House music era). It’s the music that people gravitate to and are nostalgic about….Old Skool Larry Heard, emotional deepness. You know stoned. Str8 to the heart. Deep Sound. It’s not over produced. It’s raw. The feeling is modest and pure. ‘I envy the people who after a studio session say, the track is done, that’s it’

With the amount of recordings you’ve worked on or re-worked and released over a 20 year span, what is it about production you enjoy?  What’s your creative process? Every song has it’s own approach. I’ve re-visited a song after 8 years and I’ve just finished it now. Collaborations with old material sounds like new. I’m working with labels…I never know what I will receive either vocals or beats….. With remixes you have no deadline and its easier to create hits and re-visit the tracks even to see if you can enhance them.

Casamena used to always say on his radio hour that you are ‘one of the hardest working in the biz’. You’ve built a SOLID brand. What was the vision you had, years ago? Did you foresee this taking shape the way it did today? I started a label to expose people to music. It should be about the exposure of the music and artist. Tools to move music forward to a broader audience. Starting yesterday and every week will be Download Tuesdays. Fans are bound to download a fresh new track instead of going for full albums. (He loves online number and analytics, I would argue that this is why he has also seen tremendous success in other areas of his business.) He questions how someone can buy 1000s of tracks when trends are rapidly changing.

Vinyl or Digital?Everything I do, I like to get multiple use of it. A new fan base is always emerging it’s always re-introducing new ways of music consumption. If you don’t point out that a track was old, many wouldn’t know that it was. Digital is always timeless and vinyl has a shelf life.You don’t need to play hits unless you DJ for weddings <True, true Mr. Lars.

Where are you headed next?Any more trips to SA in 2016? One more time to SA. I play where I’m needed. I’m really pushing the label approach. I’m into the digital side of things. I predict for Indie labels that DJ sale downloads will disappear in 2016 i.e. Fileshare, Youtube etc. I’m looking at maybe going on tour more often and if time permits-the promotion of my DSOH parties when I visit cities worldwide.

https://www.facebook.com/larsbehrenroth

https://twitter.com/LarsLB

https://twitter.com/DeeperShades

lars

DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Social Media, theshineprjct, Toronto, Travel

House Music Series – Toronto LOCAL -The Boxing Loft Social Club – Installment 4 – A Commitment to Excellence (Original article no misquotes here) :D

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is THE original article. There are many House DJs,artists,promoters all over Toronto. Be sure to check HERE. No one is above anyone else. No one is more supported than anyone else. The House Community should be a place where many people can showcase their work,make people move and most importantly show the world what we have here. (Not divisive in nature.) I would never support one movement,genre,sound,crew,mixer,club-over the other. I would never post anything that suggested that either. It’s highly unfortunate that more interviews couldn’t be successfully completed throughout the city…..oh well 👍🏾

The language used in the other versions were NOT the words spoken or recorded during the interview. Please check for misquotes and re-structured sentences and phrasing. Fact check for accurate info. I repeat there are so many people who contribute to the scene all over the city. As I started this section, my intention wasn’t to say one thing was better than another.

I’ve got many friends who visit this city and don’t know where to go if they want to hear good sounds and many are not aware that Toronto has a burgeoning House or Techno scene. We had an amazing interview, Emile. This is NOT what was said. No loss in translation. (Names of artists, hosts, promoters or venues might be preferential to the individual expressing that in the interview but if anyone has ever quoted anything sounding very odd-know that it is edited before it is posted here.)

(Emile, please don’t misquote our discussion, that’s not what was said.)* 

TBL_logo1

From a gig as paralegal to event party planner to disciplined athlete turned boxing instructor and now accomplished business man-Emile Awe Reed is one focused individual seeking excellence.

I’d been to Loft SC a few times…I wondered who was behind  its open concept. I chatted with Emile via Skype a little over a week ago and talked about it quite a bit….

How House Music has influenced his life: Music has always been a part of his life. He was in the choir at school. He attended North Western State University and was a member of their Choir. He grew up listening to Nana Maskari, Harry Belafonte among very many unique artists. He grew up listening to Classic Rock and loved bands like The Who and Led Zeppelin. He still hadn’t embraced House by then yet but by the 80s and 90s  (the most influential era in my House Music opinion) and really got into Reggae.

He notes that it was not until one of the longest running Toronto parties (Twilight Zone) that created the connection. He started attending events in (2004).
During a difficult time in his life he truly embraced House. He eventually met DJ Gene King who always mentioned the importance of an ‘open mind’.They are now business partners! Look out for UDM (Underground Dance Music) parties they throw twice a year!

House Music IS Just So Cool: He opened The Boxing Loft Social Club. House music’s sole purpose at the Boxing Club serves as a pace-setter for boxing technique (shadowboxing) and foot technique. ‘Boxing still uses rhythm just like dance….. Reed tells me with conviction,’most of the House I hear, I love…if you want to be a good boxer, you’ve got to be good at everything-a complete fighter…this is why I fight to music’.

Unlike many…..I had no idea ‘The Boxing Loft’ was an actual boxing gym! As a brand marketing pro-star I thought it was a well-crafted brand image that simply brought people together-along with a prop stage boxing ring (silly me)! With ‘Inspired Gatherings’ happening frequently, ‘Social Club’ is exactly what it is. There are arts focused events, boxing instruction and dance party events all happening within those four walls! The social component never ends!

Reed started running events at 199 Queen St. E in 2004 and ran into snags with liquor permits for locations and capacity violations. It made sense to find a permanent home for events and voilà: The Boxing Loft was born! Growing up he watched Fred Astaire and Ginger Rogers and learnt that during their time social clubs were VERY popular. People with similar interests gathered to socialize and grow their memberships. This is what the future will look like at the Boxing Loft!

The Way Emile Sees It: Reed has a way he does business with co-organizers in the scene. ‘I’m always gonna be upfront and real with people…I’m a new cat, I’m still learning….I like to work with anyone who is willing to learn, you need others in order to attain wealth….With more people there’s power…I’m a business person first….You have to be respectful…It’s not just about me’. <<<shine’s thing too!

Misquoted elsewhere. Working With the Local Toronto House Behind-the-scenes promo people: If it wasn’t for my team, I wouldn’t be here without hosts and promoters. (if I didn’t mention you, I apologize) I removed the names because it seemed to cause issue. You are the ones that enable my name to get out there. I appreciate that they have helped me brand The Boxing Loft. Even though I’m the boss-I don’t stand alone…..I’d be nowhere if the DJs didnt play in my space.

shine’s words added here>>>SO MANY AMAZING KEY PLAYERS THAT MAKE UP THE CITY’s scene-I WISH IT WAS AN EVEN BIGGER SCENE with a unified platform to bring more people from overseas to (Toronto). Absolutely no shade. 

DJs as Artists:How Does That Work? (Misquoted section)<<<click here

DJs should be validated as artists. I have an idea of how DJs should play. This is how/why I choose who plays at The Boxing Loft. DJs like Yogi,Stan Zeff, Zepherin Saint,Ian Friday, Josh Milan, Joe Rizla. DJs of THAT calibre-this is how I choose. I try to keep the DJ guest choices at a certain level…..you know that standard…..As an athlete I strive to be the best, same as the DJs. I have to make sure I shine so the DJ shines and the underground’ll shine. I want The Boxing Loft to act like an advocate for House Music. <<<<<<<(there are many groups, that are very good, that sound good and have large, medium or small followings all over Toronto-it doesn’t make anyone better or worse.)

What to expect at The Boxing Loft:

No drugs allowed inside (it’s a sports venue and creative space too!)

Make sure as you enter TBL you can somehow relate to what you’re taking in (art/music/sport)

Come in with an open mind

You will always be treated well

It’s a place with an incredible vibe

You too can box or dance at The Boxing Loft Social Club….For events visit Twitter @TheBoxingLoftSC  or their website http://theboxingloft.com/

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is the original article. There are many House DJs,artists,promoters all over Toronto. Be sure to fact check HERE. No one is above anyone else.All key players as a WHOLE contribute in many ways. People visiting Toronto internationally should be able to visit many venues to party safely during their stay here. Please check for misquotes. Fact check for real info. All media outlets are used as informative vehicles for change and to build legacy. The section of this blog was intended to bring all types of people to Toronto to embrace all genres of House. This article was not intended to be divisive in nature. I enjoy House music. And this section is all about it.Don’t take offense until you know what you’re reading is TRUE. Don’t misquote or force something that wasn’t said. (Updated in 2018-had no idea this was altered elsewhere!)

-shine

DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Social Media, theshineprjct, Toronto

House Music Series Toronto LOCAL – Summer 2014 – Installment 1 – LetThereBeHouse.ca

This year’s House Music segment is gonna be off the charts! I’m looking forward to it! Just so you know….blog readers and viewers have visited the SHINE prjct from all over the world! shine2u gets the most hits and shares for its House music features….

Canadians are talented! 

Toronto’s got talent! The Toronto House/Dance/Electro Music scene is burgeoning. This year it’ll be local, ALL local……look out DJs, promoters, club owners….I might be at your doorstep! 🙂

See you on the dancefloor people! LMAO #dancenation #beatjunkies#vinyljunkies #flyers #promotion #interviews #toronto #nightlife

 ———————————————————————————————-

soiree

Sometimes it’s a one person machine other times it’s a collaborative cipher. Let There Be House has truly made its mark on the small but tight-knit Toronto House scene. Let There Be House was a creative project designed as a go –to everyday-all day-what’s–going-on- in-the-Toronto-scene-one-stop-shop.

On that site you’ll find DJ listings, podcasts, interviews, events and more!

What brought this team together? Simply put, the collective love of music that emerged from the early 90s house catalogue. Front lady and promoter Tas felt the need to do things a little differently while embracing the challenge to jump into the existing “HOUSE” and make a noticeable difference!
This difference was attained with the use of more recent methods of promotion. Back in the day mainly flyers and sometimes email got the word out. A website, a Tumblr blog, a Twitter page and FB page allowed for a little more reach. The site (www.lettherebehouse.ca ) began by giving house music lovers the chance to self-inform. This is absolutely one of the main ways that the music and the culture has remained and stayed very much alive in Toronto. This seemed like a better alternative to pushing promo material both on and offline.
What started as online house music hub housing Jack Declared “@jackdeclared” (a play on the classic house song…… ‘In the beginning there was Jack … and Jack had a groove …And from this groove came the grooves of all grooves….And while one day viciously throwing down on his box, Jack boldly declared “Let There Be House” that is how Lettherebehouse.ca was born. (Pretty clever) 🙂
This site’s been around for almost 4 years this November and naturally there’s been a transition. With this transition comes ‘Soiree’-A night where ‘Let There Be House’ is VERY concerned about ambience. A night where the focus is on THIS city. A night where there’s a different line-up EVERY time, a night where people come out of the woodwork to dance their asses off….did I mention it’s a night where the goal is to grab DJs  from other dance scenes?
Soiree takes place on Sundays which for some time has been a rarity in Toronto. For a big city you’d think Sunday would be a weekend add-on but it’s hasn’t been until last year. Let There Be House took a risk that pays off and with Summer under way…it’s one of the few places you’ll wanna be at!
Here’s a little something about Toronto that LTBH wants the world to know: No matter what you like musically; it exists HERE. (in Toronto) There are a number of movements operating synonymously! All good quality music. Whatever your flavour of “dance” music, just like this city and its people-there’s a scene for it! At ‘Soiree’ DJs and dancers have the freedom to do what they want. It’s not genre specific. Let There Be House states that House is House is House. Whether it’s Deep, Techy, Soulful, Jazzy or Afro. Expect anything…..expect to DANCE.
For those from out-of-town coming to Toronto and you’re interested in the dance in this city…..you’ve got an extra day to take it all in there was a ‘Soiree’  last Sunday, this past Thursday for the Canada Day Long Weekend and there’s another one coming up for the Caribana Long Weekend- going LATE into the night (yay!) and just so you know……

Soiree’ locales are always a surprise!!! That’s the fun part. It could happen at its home ‘Bassline ’ (865 Bloor St. West) or it could be anywhere in the city! All you need to know is that it’s gonna be a good time, it’s gonna go late and you’ll be served some great music TORONTO underground style. Where can you find this info? www.lettherebehouse.ca!

 

Don’t forget!

 

-shine

I’m really excited to showcase Toronto’s scene. Hope you enjoy reading the series as much as I enjoy interviewing everyone!

There’s more for this Toronto Summer series…stayed tuned!

Biography, DJ Culture & Music, Establishments, events, House Music, Japan, Knowledge, Movers & Shakers, Music, Osaka, promoters, Reflections, Toronto, Travel

END OF YEAR House Music Series – House of Pela – Afrobeta Bodega Boston

I got a flyer from the SecSeeTemp<3 ladies of house (Brigette,Denise) a few weeks back that read ‘House of Pela’.  It looked like the sticker label for a bottle of hot sauce. Hot sauce ain’t bad….. What’s a House of Pela? What’s an ‘Afrobeta Bodega’?  I asked proud Dominican DJ via Boston all that. So you buy House of Pela products at the Afrobeta Bodega….now I understand. You get a variety of beats, sounds and ideas at the Afrobeta Bodega on the corner all the way from Boston. Sooo…Afro sound, culture, vibe,essence+Beta (first test version)=Afrobeta.

What’s in Boston? I’d visited a few months back to visit a friend working there. I desperately checked all house outlets for shows, parties, events…..maybe it was Winter. Yes, that’s it. No house events happen in Boston because it’s too cold. I checked all my fave ‘selecta’ websites to see tour dates….NOTHING. I took to Twitter -my hub of information and asked a former BET VJ who happens to be a Boston native and she told me:

Free response on Twitter

Soooo to meet a Max Pela from Boston….I had some questions. Where’s the community? Where’s the underground? Who’s the audience? How did Afrobeta start? Why are you in Toronto? Boston seems VERY straight-laced is what I thought….I got schooled. NAGA  has a laid back vibe as a lounge, restaurant and club.  The home of House of Pela is located in Cambridge, Massachusetts. The home of MIT….the prestigious school. This is always where the underground thrives. Near the schools…the house community must be pretty awesome. Pela sites all kinds of musical influences that he enjoyed in phases- Afro Dominican roots music like Palo, Salve and Gaja from Haiti.

He grew up with rural Dominican cultural influences and he really emphasizes Haitian musical influences which is great to hear considering many of the sociopolitical cultural divides that’s rocked the Dominican Republic for many years. He transitioned from Rock to Old School Hip-Hop to 90s house (this is where it all begins), Tribal, Progressive overall he gravitated to anything with deeper content….

So what does Afrobeta do? Max describes on the site that he is constantly searching ‘ for a specific sound….and has a fondness for non-conventional producers’….what’s non-conventional? He answers ‘anyone can  make music, there many unknowns out there’d like to give them a platform to show what they have….show what makes them unique ; it could even be the old school music production’ I told him that I checked the roster of artists on the site:

All of them have a great body of work. But Marquez- Is the person who told him about US in Toronto! He gave Max the thumbs up and props to come to Toronto! (Shout out to all supporters and enthusiasts of the Toronto house scene!) At afrobetabodega you’ll find live sets, studio recordings, podcasts, news and general musings of  underground house. It’s a work in progress and he mentions that an international expansion is in order.

In 2014 Max wants to make House of Pela a household name and continue to throw successful events. He wants to continue putting Boston on the map. See: TRAXSOURCE. I always ask this because I do feel its important for anyone embarking down creative paths; What advice does House of Pela founder give? – Take risks. ‘If you’ve gotta leave the 9-5 makes sure it’s planned and calculated…..do what makes you happy. If it’s the energy of what you do that drives you, let it be the driving force…there will be times you want to quit…rest assured there will be that one person who will wake you up to keep you going’

House of Pela It’s been fun putting these blog posts out! Follow me in 2014 as I take @theshineprjct  in other directions…. -shine

Biography, DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, New York, promoters, Reflections, Social Media, theshineprjct, Toronto, Travel

House Music Series – Jellybean Returns to Revival – International

Behind the Decks

Trust your instincts. These are the parting words of a talented artist whose career has spanned many decades.

Trusting his instincts has taken him to  places unimaginable. Literally. As a child from South Bronx, NY he says, ‘there were only two options amongst my friends…’ to be a drug dealer or a bouncer at a club…..I wasn’t gonna get into drugs and I was too short to be a bouncer’……that broke the ice! lol

Jellybean enthusiasts kept passing by; uttering comments, props and questions about when he was gonna  hit the stage. I’m not gonna lie-I knew about Jellybean as a kid because of Madonna.  I mentioned that to him-but what is fascinating is the kind of work he’s amassed in this many years, as well as the industries that he’s crossed. It is truly remarkable BUT also makes sense as he’s always ‘trusted his instincts’.

Another thing I noticed about what always came up while he responded to my questions was his need for CREATIVITY and his focus of wanting to simply MAKE MUSIC. Watching the crowd’s response on the dance floor Benitez said ‘is like GM testing cars…..as a creator of  sounds, tunes, records…..the dance floor allows you to see what works, what’s fresh and what’ll sell’

In his earlier years after Dj’ing for friends parties, his phone started ringing and requests to collaborate with big artists (Madonna, Whitney Houston, Michael Jackson) to name a few- brought him into the studio. By working in the studio with recording artists,  it validated his production skills and allowed him to reach more people.  He left DJ‘ing for 10 years and produced music and soundtracks for films. This instinctual departure added more to his musical talents and skills.

Studio54 and Funhouse residencies allowed him to flaunt his production skills in the clubs and he would go on to produce (3-4 records a week???? Damn!) The music industry has definitely changed! The New York house scene is a very  different one than it was back in the day- in that it strictly thrived as an underground scene. This underground no longer exists. Perhaps this underground scene now thrives online?

I asked him about his XM Satellite Sirius Radio station that started in 2011. He was asked to program the station because of  his expertise, tenure and experience. This allowed him free reign over the design of the station’s music catalogue.  He plays FULL tracks when mixing on air  and that he mentions, has also lost its way with the new style of music mixing. He’s able to give back and educate new  listeners by introducing Disco and Classic House styles within the programming.  So every time, you tune in, and listen to Studio54 satellite radio, YOU learn something new! And just like that, our interview had to end……

Jellybean hit the decks at Revival  and  the  song he plays that draws me in is Louie Vega’s ‘Brand New Day’ feat Blaze. I almost forgot what I was gonna  write tonight.  LOL

I danced the night away 🙂

-shine

If you liked reading this please follow

@theSHINEprjct on Twitter