805 Studio, CDR Toronto, DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Reflections, Social Media, theshineprjct, Toronto

CDR Toronto- Local Music Series – June 16 2016-Part 2 (cdr-projects.com)

CDR (Create, Define, Release) – The night of ideas and tracks in the making at 805 Studio

CDR Cover Banner June 2016

I decided to re-cap the first CDR event of 2016. CDR thrives on genre differences and a lot of that was played a few weeks ago.  Musical differences are what CDR is all about.

The idea is for all participants to hear other sounds and maybe connect each other to the musicality of sound. CDR speaks to collaboration. The last session has seen a steady progression in participants reaching out mostly on the night of the event. Gavin mentioned that it was great to see extra layers of music people coming out of the word works.

‘We’re starting to see a bit of an organic development. There were a larger number of listeners. People are bringing in gangs of friends who are also interested in making music….It’s a discovery for everyone’

Some of the submissions are spontaneous and most were last minute. Gavin and Ramon specifically sent a shout out to Peter Delorum from Kingston, Ontario. He submitted a wikked track ‘Iliad’. He drove from Kingston, Ontario! CDR Toronto had an amazing Akai software giveaway. (Just one of the few reasons why it’s a great place to be!) The reason is to empower good production people and increase the potential to make great music!

The Dego event in April really helped CDR expand their reach! One of two mandates is to promote CDR artists at other clubs/events followed by the other to create a visual understanding of other artists’ creative process.

CDR continues to focus on supporting local Toronto/Canadian-based artists. Gavin believes that Canadians are poor at self promotion. Events like these are a great way to get your musical projects out there. Ramon shouts out DJ Gareth (Snafu 76) who is always ready and attended all 3 CDRs and as always the team is excited to see more new faces.  Special thanks to Elizabeth Da Costa for allowing CDR to run events at her community arts building! (805 Studio) It’s an amazing space which personifies CDR-be sure to check out the next event on June 16th! Have your submissions ready!

 

805 Studio, CDR Toronto, DJ Culture & Music, Establishments, events, Movers & Shakers, Music, promoters, Toronto

CDR Toronto- Local Music Series – April 21st 2016-Part 1 (cdr-projects.com)

Apr 2016

Calling all production people, bedroom and garage studio peeps, shower singers- CDR is reaching out to all of ya’ll! First London, then Berlin-followed by Sydney and now Toronto! Why Toronto? You know what I’ll say: Canada’s got talent with inner Toronto and surrounding areas being an explosive hub.

I originally wanted a cipher-like roundtable discussion with all 4 members/creators/collaborators on this project but with busy schedules I was able to pin down Gavin Alexander and Ramon Charles. We talked about CDR Toronto-(A head space to deliver unfinished works) and we pondered on its momentum and how they have created a hub for local talent to showcase their music ideas, production and creativity.

This is why CDR is so special>>>>>>>‘audiences at CDR have been treated to pre-pre-release plays of songs’ and underground heads love this stuff! If you missed last year’s sessions you won’t wanna miss the first CDR of 2016.

Let me introduce to CDR Toronto team of talented collaborators:

Gavin Alexander (CDR HQ) Experienced Producer of both Music and Multi-media events as well as TV & Film production and co-collaborator of CDR HQ London

Janine Wright (The Flower and the Bird) A Toronto-based jazz, blues singer and composer also part of The Flower and the Bird a soul jazz quartet new on the Toronto scene!

Koray Özel (istolethesoul) Label Manager at @istolethesoul. A self-described “music enthusiast who loves to share new discoveries with like-minded people”, Koray Özel aspires to curate beautiful and meaningful releases with talented artists from around the world!

Ramon Charles (BLK BETA) A Producer/Writer/Editor at Bell Media’s Creative Agency and juggling Freelance Editing and Motion Graphics work in his free time

Describe how you see Toronto culturally, musically and artistically? Gavin and Ramon both believe that Toronto is rich (multi-perspective), seasonal (Spring’s here!) and Diverse (multicultural).

Gavin: Cultural projects have so much promise and opportunities in Toronto, in London there are always people in the way

Ramon: Population is lower here, the influx of people to the city’s core adds a bit of spontaneity

What about THIS city? A city’s culture can thrive if artists can afford to live in the city. (Gavin)

With more people, there are more ideas, more collaborative project and of course more creativity. (Ramon)

Musically, Toronto is at its APEX (Gavin)

Why bring a showcase like CDR? Why choose Toronto?

Gavin: ‘WelI…. live here now, Ramon inspired me to get this started in Toronto…It’s an amazing place for music, I love grassroots events, I like to find new music early, It’s a big city but a small world, A lot of people know of each other but they don’t connect, All genres stay separate, I want to use CDR to create a different vibe!

Ramon: I’ve seen the transitions here in Toronto…. We’ve got new options but also people/scenes are going introspective….the bottle service thing is one way but we’re looking to add a little more substance. Toronto is an artful place, CDR is great for creating works and it’s actually quite fresh/new!

Gavin: Toronto is kind of getting a sense of self-awareness and confidence. There’s always been an existential message/identity of firmly planting it in anything done here that we’re Canadian!

Ramon: There’s a surprise by artists/Torontonians that their music is good. Artists are not used to the attention. Toronto is a place where different styles can live. The music reflects the multiculturalism of the city.

Participants have increased, the growth is organic. People love CDR’s concept, people are also curious. Established artists have shown up, but there’s more room to grow. If you can’t make it now they’ll get you at the next one. Gavin believes that if something is genuine and you bring in a genuine vibe, the ripple effect goes on from there….Ramon adds ‘We want CDR to last, it’s a community thing. We don’t expect it to happen overnight”

‘It’s like shining a light on ourselves creatively instead of around us-to make CDR sustainable. It’s a key component to what we can do continue this for the next generation’

The first installment of CDR Toronto (Create, Define, Release) takes place this Thursday April 21st, 2016 at 805 Studio, 805 Dovercourt Rd at 9pm! All genres welcome, music enthusiasts are also VERY welcome!

CDR HQ Twitter: CDR Headquarters 

CDR Toronto Event/Facebook: CDR Events page

CDR Toronto Instagram: @CDRTORONTO

Event Venue:http://www.the805studio.com/

 

 

Album Reviews, Biography, DJ Culture & Music, House Music, Movers & Shakers, promoters, Toronto

House Music Series –International- Marie Joly – Offering Recordings – Gratitude’s Debut

 

Marie Joly had a lot to share about life lessons, humanity and love. Offering Recordings first lady’s music is described as ‘strongly perfumed with spiritual and conscious messages’ What grabbed me was the album title…I have much to be grateful for. GRATITUDE. Simply titled.

Boddhi Satva declared Marie Joly as ‘one to watch’ 3 years ago during our interview. She was still in production mode when he first visited Toronto and I listened to minor releases until I saw a quick blurb online a few weeks ago that her album debuted on Traxsource at #16! What an entrance! She’s not a stranger to the underground scene though…..this is just one of many projects she’s been working on…we Skyped- me in Canada and she in France! Awesome convo….

Me: Marie-Joly thanks so much for this interview, I can’t believe you’ve finally released some beautiful material after a few years under the radar. Congratulations on your success. Your single and titled album ‘Gratitude’ debuted at #16 on the Traxsource ‘House’ charts.

Me: How would you describe your music?

She: I would describe my music as harmonic, it goes deep, it could be House….if people dance to it maybe……its hard to classify the genre. It’s healing music. I know I want to move people, emotionally and spiritually, like Boddhi!

She: I would call it ‘Spirited House-it’s a more natural sound’ She says ‘I try to be harmonic and soothe people, if I can make people dance that’s ideal’ I’m so proud of this album because even though they are unknown or locally known from (France/Scotland) they are flexible yet experienced artists. “I call it New Age; Funky”

Me: Why music? Tell us a little about yourself? How did you get into making music?

She: My favourite part…I played music from a young age. I was a classically trained musician, I studied ballet, I read music, I played the piano.

Instead of rigid music study she spent time studying improvisation (thinking outside the box). She had to practice Chopin but jazzed it up during practice. Her teacher wanted her to learn the Classics but she continued her musical studies in Jazz.

Me: You’re a multi-talented person…. How long did it take to finalize this specific project?

She: From the time Boddhi suggested I get working on an album to when I handed the album in, it was about 3 years…. so naturally some stuff on the album is older. This album is a good synthesis of my production history. Some old and some new. I needed to create pieces that completed a story.

Me: What does/how do you roll-out your creative process?

She: ‘My mind is always creating, I walk in nature, I hear melodies. I’m walking in the street (I hear melodies, I have lots of inspirations.) I can hear what’s happening in my head, I even hear sounds with silence. You can process sounds and sort them out, it’s kinda like musical meditation’.

Me: What comes first, writing or studio time? Are you a House producer?

She: I produce first, I lay down backing vocals first-it’s a transformative process. It’s spontaneous and in the moment. I go back to adjust and press record. It’s like I’m telling a story. I write about how I feel when I’m looking at me. I’m not disassociating my personality but I look at it. (Be sure to have a listen to ‘Lovin’ You’.) It’s one of those examples. I’m grateful for simple things in life, nature, music, friends and my life. I’m an avid vinyl collector too!”

Marie Joly

Me: What’s your favorite part of the creative process? What’s your least favourite?

She: My favourite part is pulling together sound files, ideas and beats and sounds I’ve saved so many sound files so I can work fast and not waste any time while the creativity is showing up….My least favorite is bittersweet; working with the likes of Atjazz and Black Coffee the pressure is on to create solid output (superior sound.) So humbly she says ‘you know these guys are tenured, you learn from them, it’s humbling-they show you production tricks and knowledge and you’re completely blown away….When I think too much in the studio I lose the thought and vibe so I like to be spontaneous. With that spontaneity you find that some producers are highly spiritual and they are definitely running on a very ‘Deep’ vibration when they make and play music.’

Me: So are you are a producer? (I hate job titles and labels but I had to ask.)

She: I don’t take myself purely as a songwriter or producer. I speak from emotion-I write about emotion. I improvise like Oggun. (Known for his protective nature and his ability to spark ingenuity.)I layer tracks and sounds. It could be spontaneous or it could be here and now.

Me: For this album, did you work on any tracks with Boddhi?

She: NO (he’s 100 supportive from the sidelines) I’ve got a few very close friends that call often to see how I’m doing and they are always checking in to see how smooth the production process is going.  But how I met Boddhi was ‘synchronicity’. She ties this in because it really was a chance meeting.

I was making music but I didn’t know I could get into distribution. I  ran into a producer for NHS Scotland and was commissioned to make a soundtrack for a documentary on Lenox Castle-a hospital. The filmmaker was asked me to do this for NHS National Health Scotland. (Sounds familiar with Jellybean’s story huh?) I worked on it and eventually handed in a tape.’ It’s then that she realized music (her music) was a business!  Fast forward to Winter Music Conference WMC 2007 she did plenty of promo in Miami right around the time he (Boddhi) released his first single on the Soul Heaven compilation. He encouraged her to work on something……this produced ‘Lovin U.’ (Oh la la…qu’est ce qui ce pass?) Boddhi played it EVERYWHERE-it was re-released and remixed by Louie Vega and it did VERY WELL! Boddhi recommended she work on an EP and album. Voila, here’s the album!

During her formative musical years she moved to Scotland and resided there for some time-and it is in Scotland she says she ‘listened to music differently.’ She discovered their ‘Underground’ and slowly built her recording studio and also where she discovered turntables!

Me: Who would you like to mention from the Scottish House Underground or off the beaten path?

She: Aqua Bassino, Vashti Bunyan (brilliant folk singer/songwriter), Craig Smith & The Revenge (check ’em out.)

Me: Who are your musical influences? Who inspires you musically? ‘Nick Holder I respect his musical craft.’ A lot of the times though she says, ‘It’s not just the music that makes me enjoy their music-it’s more than that’ Her favourites, [Boddhi] with the ancestral movement/sound. She really likes J Dilla’s production he helps explore her approach to music production. Other favourites: 4 Hero, Bilal, Vikter Duplaix. She lists so many more….

Me: Who would you love to work with?

She: Osunlade, Moodyman are on my list.

Me: What next for Marie Joly and Offering Recordings?
Marie Joly: Album #2 is 50% done but you never know…there are no collaborations. I’ll work on it myself but if something presents itself I could end up working with anyone.

Her parting words…..Marie Joly <<<(she’s on Twitter) believes that ‘Even though we all try to live with our art, we all have the power and capacity to not only focus on the business side of music. ‘It feels empty that way.’  She promises that this album has more artists with more experience and you do feel it [the ethereal sounds] on Gratitude. You can purchase the album on iTunes.

Marie Joly Just Be

Biography, DJ Culture & Music, House Music, Movers & Shakers, Music, promoters, Toronto

House Music Series – Lars Behrenroth – Deeper Shades of House – International- Don’t Let Your Friends Listen to Bad Music

 

DontLet_BlueFull

Don’t Let Your Friends Listen to Bad Music (Quite explanatory, but still explained)

‘I pick music that I want others to hear. I consider the people that tune in like friends. I want to supply them with what I call good music . The connotation can offend people but if its good it doesn’t matter the time, place or format its in. I have a hard time keeping myself to one sound so I like to share it with friends.’

I was pretty stoked to interview THEE Lars Behrenroth (the don’t-let-your-friends-listen-to-bad-music DJ,the hardest working DJ in show business) You know the Lars I’m talking about!! We open Skype screens both seated with shelves full of vinyl but his collection continues and continues on. My almost empty shelf of vinyl starts and ends with the span of the camera shot. This shows how long he’s been in the music game.

On the day of our interview he mentioned he was editing sets from a huge festival he played  in South Africa a few days prior….As we speak he is editing material from his recent set in Africa…Check it out here! http://www.deepershades.net/dsoh-shows/deeper-shades-of-house-502-guest-mix-by-paskal-urban-absolutes.html

Some really cool facts about Lars from back in the day…

  • As a young man he first found out about slip mats on TV prior to that he was using plastic mats
  • He’d been around music for some time-In 1984 he started breaking, he remarks about a scene he saw in Flashdance…watching a Breaking sequence. He tried it out and had no idea what he was doing …but loved it.
  • The acronym TALK is a collaboration by Lars Behrenroth, Kolai & Taha from T-Kolai featuring the lyrical stylings of Mustafa Akbar and collectively they produced the single ‘Touching You’ and released it on vinyl
  • 70-75% of the buzz and publicity for this single came from South Africa.

Production/The Art of Dj’ing: Where it all began….

He’d been around music for some time. I think it’s incredible that a musical revolution/wave influenced a whole generation that set another trend for a whole other generation how cool is that? He came from a very small town of 60,000 people in Germany. This musical phenomenon changed the game for him. He was enrolled for organ lessons by his grandparents, he was signed up for a musical program at 3 or 4 years old. As a teen he had no idea how to mix. He says, ‘I would play out songs by Kraftwerk and Frankie Goes To Hollywood at the time.The kids (ages 8-13) were always too shy to dance so I’d dim the lights at the school dances to create a night club feel.’

Much later he purchased a Commodore 64 computer and created his 1st SD6 computer sounds. The finished product was nothing musical. He says, ‘It was very ambient-ish, broken kind of beats and sounds. Almost experimental. He later bought a keyboard and recorded a 4 hour VHS set. He had an AMIGA and used his first sequencer software. It was only much later that he studied audio engineering to learn exactly what to do in the studio.

Speaking of experimental….I talked to him about CDR Toronto and he felt it was a great idea. He was aware of CDR Berlin and admitted he was ‘too self-critical to put music out so quickly’ (this is kinda how it is in Toronto.) He did mention that something like CDR would be a great platform to put out remixes.(Big ups Gavin  and Koray!)

You’ve been dj’ing officially since 1986. And you moved to LA in 2004. How’s LA been for you?I enjoy living in LA, I try to spin in the area as often as possible. I started a radio segment ‘Global House Connection’ with my then roommate when I first lived in LA (first a 4 hour and years later a 2 hour show.) When I first arrived to LA I was purely motivated by the music and was playing music for the ‘Nu Jazz and Broken Beat scenes’. I noticed that the scenes were VERY separate. (Sound familiar in your city?) I used to collaborate with LA DJ Veteran Wayne Lyons, we did a night BOTANICA in 2007 and played out 4-5 times a year. The great part about being a travelling DJ is that you get to experience different scenes and vibes in various cities.

You bring a slight Euro-Tech sound to productions that are clearly very Afro…how does the fusion occur? Do you intend for tracks to come out this way?  I like to pay respect the original as much as possible. Often times remixes are completely different than the original. I like the challenge. I’ve taken the shuffle sound from Techno and used it on many tracks.I never know what I’m gonna end up with. I’m somebody that makes, music one way or another. I’ve been a fan of bringing sounds that don’t necessarily go together.

I (shine)personally enjoy guest features…I noticed you started using guest features on DSOH. (How did that come about?) Lars was one of the first and few  to broadcast music online. He always like to share the space when possible. Some of the DJs don’t get the exposure they deserve except for their 10 friends. He was trying to attract a different crowds. ‘I figured I couldn’t record 3 hrs every week-so why not share the space with others. It’s more interesting too!’

Speaking of internet radio:  ‘There are only a few internet radio stations that have a full listenership. Even with a small audience radio stations still fuel music discovery. Especially in South Africa! House music fans are getting younger and younger…Just like Rap-House Music gets kids out of shit. You see this with success stories like Black Coffee’

What is it about SA that keeps you going back? Honestly, they (South Afrikans) party like it’s the last party on Earth. It’s the only country I get the recognition, they embrace the music the way in which it is intended to be reached. The musical education is so much higher than the rest of the world. North America used to be like that. EDM is popping up here and there and you know as production people, DJs, House Heads, Musicians you know what we do in a place like SA. We gravitate there. 70-75% of the buzz and publicity for this single (Touching You) came from SA. This is why Lars contributes to the scene there. The single was re-played/re-introduced in 2010 and VERY WELL received. The original for ‘Touching You’ came out on label ‘Perfect Toy’ NU Jazz (which was big in the early 2000s) 2003 was the first release and again re-released in 2010. I thought it was new “originally released on vinyl in 2003 and licensed by DJ Mbuso for Soul Candi Sessions Two, this remix marked the beginning of Lars Behrenroth’s growing exposure in South Africa.

What is the European/German sound in 2015? What do you enjoy about it then and now? The Euro sound is very much connected to real House Music. It’s true to the feeling we connect to. (Early House music era). It’s the music that people gravitate to and are nostalgic about….Old Skool Larry Heard, emotional deepness. You know stoned. Str8 to the heart. Deep Sound. It’s not over produced. It’s raw. The feeling is modest and pure. ‘I envy the people who after a studio session say, the track is done, that’s it’

With the amount of recordings you’ve worked on or re-worked and released over a 20 year span, what is it about production you enjoy?  What’s your creative process? Every song has it’s own approach. I’ve re-visited a song after 8 years and I’ve just finished it now. Collaborations with old material sounds like new. I’m working with labels…I never know what I will receive either vocals or beats….. With remixes you have no deadline and its easier to create hits and re-visit the tracks even to see if you can enhance them.

Casamena used to always say on his radio hour that you are ‘one of the hardest working in the biz’. You’ve built a SOLID brand. What was the vision you had, years ago? Did you foresee this taking shape the way it did today? I started a label to expose people to music. It should be about the exposure of the music and artist. Tools to move music forward to a broader audience. Starting yesterday and every week will be Download Tuesdays. Fans are bound to download a fresh new track instead of going for full albums. (He loves online number and analytics, I would argue that this is why he has also seen tremendous success in other areas of his business.) He questions how someone can buy 1000s of tracks when trends are rapidly changing.

Vinyl or Digital?Everything I do, I like to get multiple use of it. A new fan base is always emerging it’s always re-introducing new ways of music consumption. If you don’t point out that a track was old, many wouldn’t know that it was. Digital is always timeless and vinyl has a shelf life.You don’t need to play hits unless you DJ for weddings <True, true Mr. Lars.

Where are you headed next?Any more trips to SA in 2016? One more time to SA. I play where I’m needed. I’m really pushing the label approach. I’m into the digital side of things. I predict for Indie labels that DJ sale downloads will disappear in 2016 i.e. Fileshare, Youtube etc. I’m looking at maybe going on tour more often and if time permits-the promotion of my DSOH parties when I visit cities worldwide.

https://www.facebook.com/larsbehrenroth

https://twitter.com/LarsLB

https://twitter.com/DeeperShades

lars

DJ Culture & Music, Establishments, events, House Music, Knowledge, Movers & Shakers, Music, promoters, Social Media, theshineprjct, Toronto, Travel

House Music Series – Toronto LOCAL -The Boxing Loft Social Club – Installment 4 – A Commitment to Excellence (Original article no misquotes here) :D

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is THE original article. There are many House DJs,artists,promoters all over Toronto. Be sure to check HERE. No one is above anyone else. No one is more supported than anyone else. The House Community should be a place where many people can showcase their work,make people move and most importantly show the world what we have here. (Not divisive in nature.) I would never support one movement,genre,sound,crew,mixer,club-over the other. I would never post anything that suggested that either. It’s highly unfortunate that more interviews couldn’t be successfully completed throughout the city…..oh well 👍🏾

The language used in the other versions were NOT the words spoken or recorded during the interview. Please check for misquotes and re-structured sentences and phrasing. Fact check for accurate info. I repeat there are so many people who contribute to the scene all over the city. As I started this section, my intention wasn’t to say one thing was better than another.

I’ve got many friends who visit this city and don’t know where to go if they want to hear good sounds and many are not aware that Toronto has a burgeoning House or Techno scene. We had an amazing interview, Emile. This is NOT what was said. No loss in translation. (Names of artists, hosts, promoters or venues might be preferential to the individual expressing that in the interview but if anyone has ever quoted anything sounding very odd-know that it is edited before it is posted here.)

(Emile, please don’t misquote our discussion, that’s not what was said.)* 

TBL_logo1

From a gig as paralegal to event party planner to disciplined athlete turned boxing instructor and now accomplished business man-Emile Awe Reed is one focused individual seeking excellence.

I’d been to Loft SC a few times…I wondered who was behind  its open concept. I chatted with Emile via Skype a little over a week ago and talked about it quite a bit….

How House Music has influenced his life: Music has always been a part of his life. He was in the choir at school. He attended North Western State University and was a member of their Choir. He grew up listening to Nana Maskari, Harry Belafonte among very many unique artists. He grew up listening to Classic Rock and loved bands like The Who and Led Zeppelin. He still hadn’t embraced House by then yet but by the 80s and 90s  (the most influential era in my House Music opinion) and really got into Reggae.

He notes that it was not until one of the longest running Toronto parties (Twilight Zone) that created the connection. He started attending events in (2004).
During a difficult time in his life he truly embraced House. He eventually met DJ Gene King who always mentioned the importance of an ‘open mind’.They are now business partners! Look out for UDM (Underground Dance Music) parties they throw twice a year!

House Music IS Just So Cool: He opened The Boxing Loft Social Club. House music’s sole purpose at the Boxing Club serves as a pace-setter for boxing technique (shadowboxing) and foot technique. ‘Boxing still uses rhythm just like dance….. Reed tells me with conviction,’most of the House I hear, I love…if you want to be a good boxer, you’ve got to be good at everything-a complete fighter…this is why I fight to music’.

Unlike many…..I had no idea ‘The Boxing Loft’ was an actual boxing gym! As a brand marketing pro-star I thought it was a well-crafted brand image that simply brought people together-along with a prop stage boxing ring (silly me)! With ‘Inspired Gatherings’ happening frequently, ‘Social Club’ is exactly what it is. There are arts focused events, boxing instruction and dance party events all happening within those four walls! The social component never ends!

Reed started running events at 199 Queen St. E in 2004 and ran into snags with liquor permits for locations and capacity violations. It made sense to find a permanent home for events and voilà: The Boxing Loft was born! Growing up he watched Fred Astaire and Ginger Rogers and learnt that during their time social clubs were VERY popular. People with similar interests gathered to socialize and grow their memberships. This is what the future will look like at the Boxing Loft!

The Way Emile Sees It: Reed has a way he does business with co-organizers in the scene. ‘I’m always gonna be upfront and real with people…I’m a new cat, I’m still learning….I like to work with anyone who is willing to learn, you need others in order to attain wealth….With more people there’s power…I’m a business person first….You have to be respectful…It’s not just about me’. <<<shine’s thing too!

Misquoted elsewhere. Working With the Local Toronto House Behind-the-scenes promo people: If it wasn’t for my team, I wouldn’t be here without hosts and promoters. (if I didn’t mention you, I apologize) I removed the names because it seemed to cause issue. You are the ones that enable my name to get out there. I appreciate that they have helped me brand The Boxing Loft. Even though I’m the boss-I don’t stand alone…..I’d be nowhere if the DJs didnt play in my space.

shine’s words added here>>>SO MANY AMAZING KEY PLAYERS THAT MAKE UP THE CITY’s scene-I WISH IT WAS AN EVEN BIGGER SCENE with a unified platform to bring more people from overseas to (Toronto). Absolutely no shade. 

DJs as Artists:How Does That Work? (Misquoted section)<<<click here

DJs should be validated as artists. I have an idea of how DJs should play. This is how/why I choose who plays at The Boxing Loft. DJs like Yogi,Stan Zeff, Zepherin Saint,Ian Friday, Josh Milan, Joe Rizla. DJs of THAT calibre-this is how I choose. I try to keep the DJ guest choices at a certain level…..you know that standard…..As an athlete I strive to be the best, same as the DJs. I have to make sure I shine so the DJ shines and the underground’ll shine. I want The Boxing Loft to act like an advocate for House Music. <<<<<<<(there are many groups, that are very good, that sound good and have large, medium or small followings all over Toronto-it doesn’t make anyone better or worse.)

What to expect at The Boxing Loft:

No drugs allowed inside (it’s a sports venue and creative space too!)

Make sure as you enter TBL you can somehow relate to what you’re taking in (art/music/sport)

Come in with an open mind

You will always be treated well

It’s a place with an incredible vibe

You too can box or dance at The Boxing Loft Social Club….For events visit Twitter @TheBoxingLoftSC  or their website http://theboxingloft.com/

*Please be mindful, there may be multiple versions of the article posted elsewhere. This is the original article. There are many House DJs,artists,promoters all over Toronto. Be sure to fact check HERE. No one is above anyone else.All key players as a WHOLE contribute in many ways. People visiting Toronto internationally should be able to visit many venues to party safely during their stay here. Please check for misquotes. Fact check for real info. All media outlets are used as informative vehicles for change and to build legacy. The section of this blog was intended to bring all types of people to Toronto to embrace all genres of House. This article was not intended to be divisive in nature. I enjoy House music. And this section is all about it.Don’t take offense until you know what you’re reading is TRUE. Don’t misquote or force something that wasn’t said. (Updated in 2018-had no idea this was altered elsewhere!)

-shine

DJ Culture & Music, Establishments, events, House Music, Movers & Shakers, Music, promoters, Reflections, Social Media, Toronto

House Music Series – Toronto LOCAL – Summer 2014 – Installment 3 – Joonya T: The Youngest in the Biz!

Upon returning to Toronto from Japan in 06-07, I didn’t know where to go. I’d been going to events and show all over Kansai (Japan) and got used to the likes of Danny Krivit, Tim Regisford, DJ Spinna and Louie Vega-respectively. I arrived here (Toronto) thinking that elsewhere could be the only way I’d be hearing great music of this genre.

For months I panicked and felt a little depressed until I discovered the mix CDs and podcast downloads. The best part is discovering the local artists that made up the Toronto scene and immediately occupied myself with the weekly/monthly fixes. One of them was Joonya T.

Currently, you can catch him every first Friday of the month at Toronto’s Andy Poolhall along the College St. Little Italy hub in Toronto! He’s got a unique event scheduled this Caribana Weekend (tonight) in collaboration with Moonraiser Ent (the African house pull) at Mojo Lounge (1305 Dundas St.W.)…and for all of you locals-Mojo’s new home is the former Pacha. This show will be demonstrating something a little different from what we normally get during Caribana here in Toronto. This event features a whole roster of DJs from Africa including female Djs! Toronto and tourists; don’t miss it this weekend!

 

Shejay ZandyYou’ll always find Joonya T spinning in the house music corridor at College or Dundas-he’s never off the grid! You can visit him at http://www.joonyat.com/ to see what’s up, current and happening! Check out this Toronto House Music Mix he just put out to showcase the Toronto flavour! Joonya says about the inspiration for the mix that, “Toronto is very specific about what they take in terms of house music…you rarely  see Toronto people pushing Toronto things…..this is why I started doing the Toronto mixes”.
Check out the mix here! http://www.joonyat.com/2014/07/joonya-t-presents-the-toronto-mix-volume-7/

 

Shine: Where does the name Joonya T come from? In 2007…all the same cover and just a different colour……his name is from his reggae DJ name!

Joonya T: From the Reggae DJ name I had in highschool. It stayed with me up until now!

Shine: I’m not sure if this is how you wanted to project the “JoonyaT” brand but I’ve noticed that you’ve transferred a hip-hop DJ esthetic to your DJ set style……it’s quite good and has a crossover appeal…what I mean by this is non-house music listeners are pulled in and become fans. What is it about the Joonya T style that’s a little more unique than the next guy? (It’s okay to brag here!!)

Joonya T: Prior to getting into the house scene I was definitely influenced by hip-hop. I enjoyed DJ Clue’s stuff and DJ Kid Capri’s stuff. And as most have noticed;  through my podcasts with Karizma’s material!

Shine: Explain Back Corner Radio’s concept…Where can viewers locate all this info?

JoonyaT: Back Corner Radio comes from the group of friends “The Back Corner Crew”. Myself and friends all into the house music scene would go to parties and enjoy the back corner of the party hollering people in the back corner. Everyone has moved on…everyone has gone through some life changes. The name is truly a way to pay homage to the crew.

Shine: You’ve got your monthly mixes and then you’ve got Back Corner Radio sets…..why the two different ‘projects’?

Joonya T: I started with a podcast and then followed a whole slew of other podcasts…The first one was Dennis Ferrer…..he came in 2007 and I created a mix to help promote the party at the time. I wasn’t affiliated with the event but I put the word out. It got a lot of play……. And I made more mega mixes to focus on specific productions.

Shine: You attended the ADE Festival last year what was that like for you? Anything you took away from that? So so curious. 🙂 Are you attending again this year?

Joonya T: ADE is something I’ll always remember. It was crazy to be in a city with all these people who are truly into the music! Places like Amsterdam and Japan take in the various music scenes in a whole different way. Places in Europe, Asia and specifically Africa promote house and Electronic Music the same way we promote Pop Music. Billboards at the bus stop with celebrities and promotional flyers are places all over places like the airport……this was a very different experience for me!

Shine: I like the examples you mentioned it shows a little more than what we think we’d notice and understand about a country’s relationship to house/dance music in other cities in the world.

Shine: Making international rounds must be amazing! (Travelling being the best part)- What’s it like explaining to the people you meet (fans and industry heads) that you’re from Toronto? How do you explain the Toronto (house/tech/dance scene)?

Joonya T: First of all this was made possible by my good friend and confidante in the industry (Pascal Morais). He had been talking about it and encouraged me to head over there. I’m not very much in people’s faces….I’m sociable but I don’t go around to chat with people….I sort of observe and feel my environment. It was little nerve-wracking but once I met everyone I had an amazing time!

When I speak of Toronto, I always catch myself talking about a vibe…..certain tracks set things off….in Toronto. There isn’t a young scene coming up to replace the older heads. The vibe or feel is what we still have and it’s celebrated in a specific way here in (Toronto).

Shine: What’s changed for you in Toronto? i.e. promotion, DJ’ing, creativity

Joonya T: In the beginning, (2007) when I started all this, there wasn’t really a Facebook.  Everything is social. You get the people who go out based on whose promoting. I used to burn CDs . Word-of-mouth reigned and flyers were part of the promotion. Right now…people are not only on Facebook but on other outlets. Technology has afforded me the extra memory to extend a mix past the usual 80 mins! House music runs differently than other musical genres….producers are trying to make the same kind of money they used to make….. Everything was still underground pre-2007 and even still I always hear good music and wanna know what tracks are being played. I used to wonder….Does anyone else know about this?… The underground was truly underground. Often, you do hear House heads talk about ‘back in the day’…..those heads are now getting older. Trends are slowly starting to change! It’s rare to have a 200+ sold out party but small events that collaborate seem to work now in Toronto. A lot of the bigger events are happening on the Tech side…DJs come to Toronto two times a year instead of once. Ask anyone in the soulful scenes We laugh about it. They don’t drink….usually I think it’s because they are older. When I started I was always doing parties on my own, now I collaborate with other DJs… My philosophy now: You gotta make your way or knit your own piece of sweater…..its okay to always push brands at the same time!

Shine: I’ve noticed you’ve concentrated on your online media presence and I’d have to say its VERY good! Who’s your audience?

Joonya T: I’ve got a background in Marketing and want to grow the brand so I’ve remained consistent with my name, image and podcasts. I’m trying to pull in a younger crowd.  Frankly speaking, South African supporters and listeners have always been my audience. Next up are supporters in Europe and following that are fans in the U.S.! They consume more dance music than the average music lover!

Shine: What are some parting words you’d like to leave us with today?

Joonya T: Just like at the end of every show, I’d say to them…Love what you do what you love… that’s a mantra I live by and hopefully my listeners can grab a little something to add to their day when they tune in to Back Corner Radio!

We had so much to discuss it was pretty awesome to talk about his expansive projects!

 

For all you socially savvy people you can follow Joonya T’s digital footprints here:

Social links

www.youtube.com/joonyat

www.Soundcloud.com/joonyat

www.twitter.com/joonyat

www.bit.ly/joonyat (iTunes short link)

www.instagram.com/joonyat

Stay tuned for more LOCAL House showcases at shine!

Establishments, events, House Music, Movers & Shakers, Music, Toronto

House Music Series Toronto LOCAL – Summer 2014 – Installment 2 – Bunda Lounge: The Meeting Place to Dance

Bunda Logo

 

Bunda Lounge has hosted some fabulous DJs in the last FOUR years! Bunda just celebrated its fourth year this year!  I always wondered where the club name came from. It has a ring to it. Ivan explained, “It’s a slang word for a ladies’ derriere…..I won’t go into anymore details”LOL. Apparently this is the slang used in a few countries (Angola,Brazil,Haiti)! It’s quite a catchy name with staying power just like the transformational steps it took to start this joint……

I sat down last week to talk to owner Ivan Fialho of Toronto’s Bunda Lounge. I had an awesome conversation all about one of the hottest homes of the ‘international house’ scene in our city.

shine:Congratulations on celebrating 4 years! I had no idea. It takes a lot of dedication to keep something going let alone a business…What started Bunda?

Ivan:My involvement in music started this. I came to Toronto at 14 and began helping my brother with his music thing. He used to DJ and spin at different places and I’d carry his records. After he threw in the towel-I started spinning out at parties (specifically African music, Zouk & Kizomba etc.)

shine:What type of place did you want Bunda to be? What’s the best thing about running events here?

Ivan:All elements of Bunda including the music featured here, the acts that play here are reflective of my musical background. It’s not by chance but by design!I specifically wanted to focus on my (Angolan) roots music- the kinds of music I grew up dancing to with my Mother. As a child she would force me to dance with her and as I got older I learned to like and really appreciate this music! Bunda was born out of  wanting to move  forward without having to move from venue to venue. I wanted a place where my musical tastes could have a unique exposition of culture.

shine: Bunda’s location-Why Dundas/Ossington?

Ivan: When I first got to this neighbourhood, no one was here! I knew this area was gonna be a bustling area. This area was initially 90% Portuguese and 10% Vietnamese. Now the area caters to all kinds of people bringing business to the area! People here are open to all kinds of foods, music and services!

shine: Last Summer Bunda Lounge was quite the hotspot, EVERY WEEKEND….you  collaborated  with United Soul/Groove Institute extensively last year; what’s in store this year?

Ivan: The partnership continues this year! It’s been quiet the last few weeks because of this year’s World Cup and the games brought some good business lol. We’ve got some big acts lined up for  the next 5 months. Some of the big acts from last year are returning and of course, we will always continue to work with local talent.

shine: What was the best event you’ve held at Bunda Lounge?

Ivan: Hands down, the Boddhi Satva party! That party was on of the ones that stood out. He took us on a journey! The vibe that night was incredible. He showcased all kinds of real good music. He told a story! (I totally agree with him about this.)

shine: What’s the future of Bunda Lounge and the Bunda Lounge brand?

Ivan: Bunda Lounge is here to stay. We’re gonna keep going. We’ll continue to showcase what Bunda does best. With whatever you do understand that you can’t please everyone but you’ve gotta try. When I started I didn’t know anyone-no one knew about this venue. Now,I take time to build solid relationships with the establishments around Bunda and others in the industry. I’m creating a sort of Bunda Renaissance.

The Lounge is open from Tuesdays to Saturdays every week! They are open occasionally during the day for games/matches on TV (World Cup). For folks who don’t know, Toronto is a PATIO city!There’s a patio outside where you can grab a few drinks and chill. Bunda is available on Sundays for private events. They’ve got a Hump Wednesday night coming up. Thursdays and Fridays usually have some dope house nights and Saturdays are usually the best nights around!

Ivan still spins in the city and will be playing at this year’s Festival Kompa Zouk Toronto – The festivities run from July 26th to August 4th 2014. More things to do in Toronto! Check it out here: http://www.fkzo.ca/events.html

This Saturday Groove Institute is back with legendary locals Dino + Terry this Sat July 19th at Bunda! It’s always a dope party! For locals, see you there! For out-of-towners and international visitors to Toronto, it’s truly a one-of-a-kind party! If you’re visiting Toronto find Bunda on Twitter @BundaLoungeTO or Facebook!

 

July 19th bunda

  -shine